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Zusatztext 'Artists have been moved from the margins to the center of the urban economy. Is that good or bad? Forkert's incisive and carefully-researched study is the most up-to-date analysis of the outcome. The differences she draws between London and Berlin illustrate the sheer intelligence of this very useful book.' Andrew Ross! University of New York! USA and author of Nice Work If You Can Get It: Life and Labor in Precarious Times 'A compelling and engaging study of artistic lives raising challenging questions about the purposes served by culture within contemporary capitalism. The result is a powerful argument for the necessity of time and space for cultural activities - not only for those who define themselves as professional artists! but for all.' Karen Littleton! The Open University! UK 'Kirsten Forkert takes seriously the way that artists lead their lives. She lifts the romantic veil from the idea of a removal from society to show the centrality and vulnerability of cultural labour today. Drawing on her experience as an artist! her commitment as an activist! and her research as a scholar! she has produced a landmark text.' Toby Miller! City University! UK Informationen zum Autor Kirsten Forkert is a lecturer in media theory at Birmingham City University! UK. Klappentext Artistic Lives challenges recent policy discourses that celebrate the ability of cultural producers to create something from nothing! and! more generally! the myth of creativity as an individual phenomenon! divorced from social context. Presenting rich interview material with artists and arts professionals in London and Berlin. Zusammenfassung Artistic Lives challenges recent policy discourses that celebrate the ability of cultural producers to create something from nothing, and, more generally, the myth of creativity as an individual phenomenon, divorced from social context. Presenting rich interview material with artists and arts professionals in London and Berlin. Inhaltsverzeichnis Chapter 1 Introduction: Artistic Autonomy and Material Conditions; Chapter 1a Capitalism and the Figure of the Artist; Chapter 2 The Creative Subject and the State; Chapter 3 The Loss of Space and Time for Creative Activities in London; Chapter 4 Shortened Careers and Pressures for Instant Success; Chapter 5 Berlin: An Economy Based on the Marketing of Creativity; Chapter 6 Does Berlin Present an Alternative Model for Cultural Production?; Chapter 8 Conclusion: Why Material Conditions Matter;...
