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Informationen zum Autor Douglas Cairns is Professor of Classics in the University of Edinburgh. He has published widely on Greek literature, society and thought, especially the emotions. He is the author of Sophocles: Antigone (Bloomsbury Academic, 2016), Bacchylides: Five Epinician Odes (Francis Cairns, 2010), and Aidôs: The Psychology and Ethics of Honour and Shame in Ancient Greek Literature (OUP, 1993). He is the series editor for our Edinburgh Leventis Studies series and a co-editor of three edited collections with EUP. Ruth Scodel is D. R. Shackleton Bailey Collegiate Professor of Greek and Latin at the University of Michigan. She has written Credible Impossibilities: Conventions and Strategies of Verisimilitude in Homer and Greek Tragedy (1999), Listening to Homer (2002), Epic Facework (2008), (with Anja Bettenworth) Whither Quo Vadis? Sienkiewicz's Novel in Film and Television, and An Introduction to Greek Tragedy (2010). Klappentext 'The more Greek literature is viewed against the background of the great West Asian literary traditions, the stranger it looks. This audacious volume, a landmark work in the emerging fields of historical narratology and comparative literary history, probes the roots of that strangeness, and how distinctively Greek ways of telling stories came about.' Nick Lowe, Royal Holloway, University of London An examination of what is distinct, what is shared and what is universal in the narrative traditions of a wide range of ancient Greek literary genres The 'Classic' narratology that has been widely applied to classical texts is aimed at a universal taxonomy for describing narratives. More recently, 'new narratologies' have begun to link the formal characteristics of narrative to their historical and ideological contexts. This volume seeks such a rethinking for Greek literature. It has two closely related objectives: to define what is characteristically Greek in Greek narratives of different periods and genres, and to see how narrative techniques and concerns develop over time. The 15 distinguished contributors explore questions such as: how is Homeric epic like and unlike Gilgamesh and the Hebrew Bible? What do Greek historians consistently fail to tell us, having learned from the tradition what to ignore? How does lyric modify narrative techniques from other genres? This book will appeal to students and scholars of Classics as well Comparative Literature and Literary Theory. Douglas Cairns is Professor of Classics at the University of Edinburgh. Ruth Scodel is D. R. Shackleton Bailey Collegiate Professor of Greek and Latin at the University of Michigan. Cover image: Courtesy of the Edinburgh University Library Centre for Research Collections. Cover design: [EUP logo] www.euppublishing.com Zusammenfassung An examination of what is distinct, what is shared and what is universal in Greek narrative traditions of a wide range of ancient Greek literary genres. 1. Introduction, Ruth Scodel; Part I: Defining the Greek Tradition; 2. Beyond Auerbach: Homeric Narrative and the Epic of Gilgamesh, Johannes Haubold; 3. Homeric Battle Narrative and the Ancient Near East, Adrian Kelly; 4. Narrative Focus and Elusive Thought in Homerm, Ruth Scodel; 5. Structure as Interpretation in the Homeric Odyssey, Erwin Cook; Part II: The Development of the Greek Tradition; 6. Exemplarity and Narrative in the Greek Tradition, Douglas Cairns; 7. 'Where do I begin?': An Odyssean Narrative Strategy and its Afterlife, Richard Hunter; 8. Some Ancient Views on Narrative, its Structure and Working, Rene Nunlist; 9. Who, Sappho?, Alex Purves; 10. The Creative Impact of the Occasion: Pindar's Songs for the Emmenids and Horace's Odes 1.2 and 4.2, Lucia Athanassaki; 11. Narrative on the Greek Tragic Stage, P.E. Easterling; 12. Stock Situations, Topoi and the Greekness of Greek Historiography, Lisa Hau; 13. Heliodorus the Hellene, J. R. Morgan; Part III: Beyond Greece; 1...
