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Zusatztext [Art and Pornography] breaks important ground. Informationen zum Autor Hans Maes received his PhD from the University of Leuven, Belgium, and conducted postdoctoral research at the University of Helsinki, Finland, and University of Maryland, USA. He is currently Lecturer in History and Philosophy of Art at the University of Kent and Associate Director of the Aesthetics Research Group. He has authored papers on a variety of subjects in aesthetics, including the role of intention in the interpretation of art, the notion of free beauty, and the relation between art and pornography. In 2010 he was elected President of the Dutch Society for Aesthetics.Jerrold Levinson is Distinguished Professor of Philosophy at the University of Maryland, College Park, where he has taught since 1976. He is the author of Music, Art, and Metaphysics (Cornell University Press, 1990), The Pleasures of Aesthetics (Cornell University Press, 1996), Music in the Moment (Cornell University Press, 1998), L=art, la musique, et l=histoire (Editions de l'eclat, 1998), La musique de film: fiction et narration (Presses Universitaires de Pau, 2000), and Contemplating Art (OUP, 2006), as well as editor of Aesthetics and Ethics (CUP, 1998) and The Oxford Handbook of Aesthetics (OUP, 2003), and co-editor of Aesthetic Concepts (OUP, 2001). Klappentext Do art and pornography overlap, or are the two mutually exclusive? If they are, why is that? Art and Pornography explores the artistic status and aesthetic dimension of pornographic pictures, films, and literature. A team of leading scholars develops a subtle understanding of sexual imagery and themes, in a range of cultural contexts. Zusammenfassung Art and Pornography presents a series of essays which investigate the artistic status and aesthetic dimension of pornographic pictures, films, and literature, and explores the distinction, if there is any, between pornography and erotic art. Is there any overlap between art and pornography, or are the two mutually exclusive? If they are, why is that? If they are not, how might we characterize pornographic art or artistic pornography, and how might pornographic art be distinguished, if at all, from erotic art? Can there be aesthetic experience of pornography? What are some of the psychological, social, and political consequences of the creation and appreciation of erotic art or artistic pornography? Leading scholars from around the world address these questions, and more, and bring together different aesthetic perspectives and approaches to this widely consumed, increasingly visible, yet aesthetically underexplored cultural domain. The book, the first of its kind in philosophical aesthetics, will contribute to a more accurate and subtle understanding of the many representations that incorporate explicit sexual imagery and themes, in both high art and demotic culture, in Western and non-Western contexts. It is sure to stir debate, and healthy controversy. Inhaltsverzeichnis Introduction I. Pornography, Erotica, and Art 1: Hans Maes: Who Says Pornography Can't Be Art? 2: Alex Neill: The Pornographic, the Erotic, the Charming, and the Sublime 3: David Davies: Pornography, Art, and the Intended Response of the Receiver 4: Jerrold Levinson: Is Pornographic Art Comparable to Religious Art? Reply to Davies II. Pornography, Imagination, and Fiction 5: Cain Todd: Imagination, Fantasy, and Sexual Desire 6: Kathleen Stock: Pornography and Imagining about Oneself 7: Christy Mag Uidhir and Henry John Pratt: Pornography at the Edge: Depiction, Fiction, and Sexual Predeliction III. Pornography, Medium, and Genre 8: Petra van Brabandt and Jesse Prinz: Why Do Porn Films Suck 9: Bence Nanay: Anti-Pornography: André Kertész's Distortions 10: Michael Newall: An Aesthetics of Transgressive Pornography IV. Pornography, Ethics, and Feminism 11: Brandon Cooke: On the Ethical Dis...
