Read more
This collection brings together twenty-one short stories by Sarah Joseph representing the major themes and issues that define her writing. Written over a period of almost four decades, these stories highlight her mastery of social and political themes, and trace her artistic growth and emergence as one of India's foremost feminist writers.
List of contents
- Author's Note
- Translator's Note
- Introduction: 'De-Consecrating Sarah Joseph'
- 'The Moonlight Knows'
- 'The Masc. of "Virgin"'
- 'Conjugality'
- 'Asoka'
- 'Jatiguptan and Janakiguptan'
- 'Hark!'
- 'Love '
- 'Dimwittude'
- 'Within Every Woman Author'
- 'Paapathara'
- 'Black Chinks'
- 'Cloves'
- 'Vanadurga'
- 'To the Sea'
- 'Dead Land'
- 'Sweat-marks'
- 'Scooter'
- 'The Passion of Mary'
- 'Rain'
- 'Coffee House'
- 'Broken Bridge'
- Glossary
About the author
Sarah Joseph is a critically acclaimed contemporary writer in Malayalam literature. Recipient of the Sahitya Akademi Award, Kerala Sahitya Akademi Award, and the Vayalar Award, among others, she has to her credit, five novels and eight collections of short stories. Her novel, Othappu: The Scent of the Other Side (OUP), won the Vodafone Crossword Award for Indian Language Fiction Translation in 2009.
Summary
One of the most important literary figures in contemporary Malayalam literature, Sarah Joseph is a writer whose engagement with women's issues has evolved over time. This collection includes twenty-one of her best short stories written over a period of almost four decades.
Informed by a deep sense of compassion, these stories depict her opposition to all structures and institutions that formalize power-be it the family, the church, or the government-and seek to naturalize oppression wherever it exists. From maternal figures existing on the margins of society who offer resistance to a ruthlesssly exploitative patriarchy to incisive sketches of the history of patriarchy that is based not on historical accounts but on powerful reinterpretations of myths, these stories are centred on strong-willed women who oppose of all kinds injustices.
J. Devika's translation captures the nuances, moods, and tone of the complex, multi-layered narrative and symbolic language of the original srories. Insightful and rigorous, the Introduction discusses Sarah Joseph's work within the present women's discourse in India, with special reference to the scenario in Kerala.
