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Zusatztext Hearing the music makes Josquins obsessive personality even more immediately appreciable than the dots on the page. But above all, it is Rodins great achievement to have explained it to us and to have put it in the richest of analytical and institutional contexts. Informationen zum Autor Jesse Rodin is Assistant Professor of Music at Stanford University. He is co-editor of the Cambridge History of Fifteenth Century Music, and author of several articles in such journals as The Journal of the American Musicological Society and Music and Letters. Klappentext Josquin's Rome offers a new reading of the works composed by Josquin des Prez during his time as a singer and composer for the pope's private choir. Zusammenfassung Josquin's Rome offers a new reading of the works composed by Josquin des Prez during his time as a singer and composer for the pope's private choir. Inhaltsverzeichnis Table of Contents Introduction Part I. Toward Josquin's Style Chapter 1. Methodological Minefields Chapter 2. An Obsessive Compositional Personality Part II. Surveying the Soundscape. The Cappella Sistina, ca. 1480-ca. 1500 Chapter 3. The Repertory Chapter 4. The Lingua Franca Chapter 5. A Maximalist Musical Mind: Marbrianus de Orto Part III. Josquin's Roman Music in Context Chapter 6. Super voces musicales and the L'homme armé Tradition Chapter 7. Intersections and Borrowings Appendix A. Music Copied into Cappella Sistina Manuscripts before ca. 1500 Appendix B. Contents of VatS 14 and 51 Appendix C. Related Repertories: VerBC 761, BarcOC 5, and VatSP B80 Appendix D. Three Anonymous Da pacem Motets Appendix E. Five Canonic Hymn Settings
