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Zusatztext 'George L. Mosse ... has largely devoted his career to plumbing! with impressive learning! the cesspools of the imbecilic and the cruel in the Third Reich. It is a scholarly book.'Times Literary Supplement Informationen zum Autor George L. Mosse is Bascom-Weinstein Professor of History, Emeritus, at the University of Wisconsin in Madison, and Koebner Professor of History, Emeritus, at the Hebrew University in Jerusalem. His previous books include The Crisis of German Ideology, Nazi Culture, The Nationalization of the Masses, Nationality and Sexuality, and Toward the Final Solution. Klappentext At the outbreak of the First World War, an entire generation of young men charged into battle for what they believed was a glorious cause. Over the next four years, that cause claimed the lives of some 13 million soldiers--more than twice the number killed in all the major wars from 1790 to1914. But despite this devastating toll, the memory of the war was not, predominantly, of the grim reality of its trench warfare and battlefield carnage. What was most remembered by the war's participants was its sacredness and the martyrdom of those who had died for the greater glory of thefatherland. War, and the sanctification of it, is the subject of this pioneering work by well-known European historian George L. Mosse. Fallen Soldiers offers a profound analysis of what he calls the Myth of the War Experience--a vision of war that masks its horror, consecrates its memory, and ultimatelyjustifies its purpose. Beginning with the Napoleonic wars, Mosse traces the origins of this myth and its symbols, and examines the role of war volunteers in creating and perpetuating it. But it was not until World War I, when Europeans confronted mass death on an unprecedented scale, that the mythgained its widest currency. Indeed, as Mosse makes clear, the need to find a higher meaning in the war became a national obsession. Focusing on Germany, with examples from England, France, and Italy, Mosse demonstrates how these nations--through memorials, monuments, and military cemeterieshonoring the dead as martyrs--glorified the war and fostered a popular acceptance of it. He shows how the war was further promoted through a process of trivialization in which war toys and souvenirs, as well aspostcards like those picturing the Easter Bunny on the Western Front, softened the war'simage in the public mind. The Great War ended in 1918, but the Myth of the War Experience continued, achieving its most ruthless political effect in Germany in the interwar years. Zusammenfassung Why, after experiencing the horrors of modern war, are so many people ready to glorify the conflict when it is over? A chilling look at how the horrors of war become the comforts of nostalgia....