Fr. 440.00

Christopher Marlowe

English · Hardback

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Zusatztext '..a particularly careful selection... this work is an excellent Marlowe resource for academic libraries and Marlowe enthusiasts.' Reference Reviews 'While most obviously beneficial as an introduction to the field or a contextualization of the masses of criticism that abound on its subject! this volume also has much to offer the seasoned veteran of early modern scholarship.' Sixteenth Century Journal Informationen zum Autor Robert A. Logan is Professor of English at the University of Hartford! USA Zusammenfassung Examines the characteristics of the Wits and their influence on the course of Elizabethan drama. This title is suitable for students and scholars of Renaissance poetry, drama, and specialized cultural contexts. Inhaltsverzeichnis Contents: Introduction; Part I Biography of Marlowe: Marlowe's Life and Career: Chronology and Introduction, Constance B. Kuriyama; Christopher Marlowe, Matthew N. Proser. Part II Initiating Controversy: Challenges to Familiar Assumptions about Marlowe: Christopher Marlowe, T.S. Eliot; Biography, mythography, and criticism: the life and works of Christopher Marlowe, Lukas Erne; 'Writ in blood': Marlowe and the new historicists, Richard Wilson. Part III Essays on More Than a Single Work: Marlowe and the 'comic distance', J.R. Mulryne and S. Fender; Marlowe and the will to absolute play, Stephen Greenblatt. Part IV Essays on Individual Works: Dido, Queen of Carthage: Errant Eros: transgressions of sex, gender, and desire in 'Dido, Queene of Carthage', Sarah Munson Deats; Tamburlaine, 1 & 2: The structure of 'Tamburlaine', Clifford Leech; The contemporary perception of Marlowe's Tamburlaine, Richard Levin; Dr Faustus: 'The forme of Faustus fortunes good or bad', C.L. Barber; Marlowe and God, David Bevington; The Jew of Malta: Innocent Barabas, Alfred Harbage; Marlowe as experimental dramatist: the role of the audience in 'The Jew of Malta', Edward L. Rocklin; The Massacre at Paris: Mirrors for foolish princes, Judith Weil; 'The Massacre at Paris': Marlowe's messy consensus narrative, Rick Bowers; Edward II: History without morality: Edward II, Wilbur Sanders; The eye of the beholder, Stephen Orgel; Hero and Leander: Marlowe, 'Hero and Lander', and the art of leaping in poetry, Jane Adamson; Marlowe's Other Poetry: 'On the Death of Sir Roger Manwood', Ovid's Elegies 'The Passionate Shepherd', Hero and Leander, and Lucan's First Book: Marlowe's poems and classicism, Georgia E. Brown. Part V Essays on Particularized Interests: Marlowe's boy actors, Evelyn Tribble; Marlowe reruns: repertorial commerce and Marlowe's plays in revival, Roslyn L. Knutson; Name Index. ...

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