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Zusatztext fascinating study ... The scope of John's analysis is most impressive ... Amidst the dizzying array of books published in anticipation of the Dickens bicentenary ... Dickens and Mass Culture [is] particularly notable ... Well-written, provocative, and historically informed ... fertile ground for further sustained investigation of Dickens's "grand design" particularly and Victorian cultural studies more generally. Informationen zum Autor Juliet John is Head of the Department of English at Royal Holloway, University of London, having previously served as Associate Dean Education for the Faculty of Arts, Director of Research for English, and Director of the Centre for Victorian Studies. Before joining Royal Holloway in February 2012, she was Professor of English at the University of Liverpool and had spent 20 years working at institutions in the North West of England - the University of Manchester, the University of Salford and Edge Hill University.She is an internationally recognised Dickensian and much of her work focuses on the relationship between Dickens's work and the popular cultural contexts of the Victorian and post-Victorian periods. She thus also has research expertise in areas such as melodrama, nineteenth-century theatre, the popular Victorian novel, journalism, film, adaptation, heritage, neo-Victorianism, thing theory, and affect studies. She previously founded and led the Gladstone Centre for Victorian Studies for a decade and was PI on the AHRC-funded Gladstone Cataloguing and Annotation Project. Klappentext Dickens and Mass Culture shows that Dickens's unusual success in combining literary with wider popular appeal is directly related to his sense of himself as a mass cultural artist. It examines the ways in which his consciousness of a mass market for his work affected both his cultural vision and practice and his post-Victorian afterlives. Zusammenfassung That the idea of Dickens and the adjective 'Dickensian' continue to have a cultural resonance which extends beyond the book-buying public almost two centuries after Dickens's birth is testimony to his sense of himself as a mass cultural artist. Juliet John contends that Dickens's popularity is unique, different even from that of Shakespeare because, writing in 'the first age of mass culture', he was instinctively aware of the changed context of art, or of the need for popular art to find its place in an age of mechanical reproduction. Dickens and Mass Culture describes the ways in which Dickens envisioned and engineered his cultural pervasiveness, the media that enabled it, and the posthumous processes - technological, commercial, ideological, and emotional - that have perpetuated it. The first part examines Dickens's cultural vision and practice - his model of authorship, journalism, public readings, relations with America, and the machine. The second explores Dickens's screen and 'heritage' afterlives, as well as the visitor attraction, 'Dickens World'. His longtime presence on the ten-pound note symbolizes the book's guiding interest in the relationship between the commercial, cultural, and political aspects of Dickens's populist vision and legacy. John argues that the aspects of his art that have underscored critical ambivalence about Dickens - his relations with money, mechanical reproduction, and the mass market in particular - have ultimately ensured both his iconic cultural status and his centrality to the academic canon. Inhaltsverzeichnis List of Illustrations Acknowledgements Editions and Abbreviations INTRODUCTION PART ONE - DICKENS IN HIS DAY 1: The Amusements of the People: Cultural Politics, Class and Commerce 2: 'A body without a head': Culture Shock in Dickens's American Notes (1842) 3: 'Personal' Journalism: Getting Down into the Masses 4: 'Coming Face to Face with Multitudes': The Public Readings 5: Culture, Machines and Cultural Industry P...
