Fr. 107.00

The Three Blessings - Boundaries, Censorship, and Identity in Jewish Liturgy

English · Hardback

Will be released 24.12.2010

Description

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In the traditional Jewish liturgy, a man praises God daily for not having been made a gentile, a woman, or a slave. Manuscript editions of the Babylonian Talmud teach that recitation of this prayer is obligatory for all Jewish men. Despite the fact that these blessings have been officially part of the daily morning liturgy for more than a thousand years, the propriety of whether and how to recite them is an ongoing subject of debate. Yoel Kahn offers the first
longitudinal study of the evolving language, usage, and interpretation of a Jewish liturgical text over its entire 2000 year life-span.

About the author

Yoel Kahn is Ph.D., Graduate Theological Union, Ordained Rabbi, Director of the Taube Center for Jewish Life, Jewish Community Center of San Francisco

Summary

According to historical teaching, a Jewish man should give thanks each day for ''not having been made a gentile, a woman, nor a slave.'' Yoel Kahn's innovative study of a controversial Jewish liturgical passage traces the history of this prayer from its extra-Jewish origins across two thousand years of history, demonstrating how different generations and communities understood the significance of these words in light of their own circumstances. Marking the boundary between ''us'' and ''them,'' marginalized and persecuted groups affirmed their own identity and sense of purpose. After the medieval Church seized and burned books it considered offensive, new, coded formulations emerged as forms of spiritual resistance. Owners voluntarily carefully expurgated their books to save them from being destroyed, creating new language and meanings while seeking to preserve the structure and message of the received tradition. Renaissance Jewish women ignored rabbis' objections and assertively declared their gratitude at being ''made a woman and not a man.'' Illustrations from medieval and renaissance Hebrew manuscripts demonstrate creative literary responses to censorship and show that official texts and interpretations do not fully represent the historical record.
As Jewish emancipation began in the 19th century, modernizing Jews again had to balance fealty to historical practice with their own and others' understanding of their place in the world. Seeking to be recognized as modern and European, early modern Jews rewrote the liturgy to fit modern sensibilities and identified themselves with the Christian West against the historical pagan and the uncivilized infidel. In recent decades, a reassertion of ethnic and cultural identity has again raised questions of how the Jewish religious community should define itself.
Through the lens of a liturgical text in continuous use for over two thousand years, Kahn offers new insights into an evolving religious identity and recurring questions of how to honor both historical teaching and contemporary sensibility.

Additional text

Yoel Kahn's work is fascinating and significant. This work will interest not only specialists in the area and scholars of religion more broadly, but also learned readers generally. The larger issues of the construction and maintenance of social and religious identity, presented here through the vehicle of liturgical and ritual enactment, are timely and important.

Product details

Authors Yoel Kahn
Publisher Oxford University Press
 
Languages English
Product format Hardback
Release 24.12.2010, delayed
 
EAN 9780195373295
ISBN 978-0-19-537329-5
No. of pages 240
Subjects Humanities, art, music > Religion/theology > Judaism

RELIGION / Judaism / History, Religion - Judaism, RELIGION / Judaism / Rituals & Practice, RELIGION / Judaism / Theology

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