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Informationen zum Autor Zohar Efroni is a legal scholar and attorney specializing in intellectual property, Internet and media law. He has published extensively on the interaction between law and technology, especially in the context of property rights in intangible assets. Dr. Efroni has been a resident scholar and a scholarship holder at the Max Planck Institute for Intellectual Property, Competition and Tax Law in Munich, Germany. He is currently a nonresidential fellow at the Center for Internet and Society (Stanford Law School), where he contributes to the CIS website writing on current issues of law, technology and intellectual property. Dr. Efroni consults firms, individuals and agencies on matters of information policy, privacy and IP, both domestically and internationally. Dr. Efroni holds law degrees acquired in Israel (LL.B.) and in New York (LL.M. IP), as well as a legal Ph.D. with honors from the Ludwig Maximilians University in Munich (summa cum laude). He is admitted to practice law in Israel, NewYork and Germany. Klappentext Copyright law has become the subject of general concerns that reach beyond the limited circles of specialists and prototypical rights-holders. The role, scope and effect of copyright mechanisms involve genuinely complex questions. Digitization trends and the legal changes that followed drew those complex matters to the center of an ongoing public debate. In Access-Right: The Future of Digital Copyright Law,Zohar Efroni explores theoretical, normative and practical aspects of premising copyright on the principle of access to works. The impetus to this approach has been the emergence of technology that many consider a threat to the intended operation, and perhaps even to the very integrity, of copyright protection in the digital setting: It is the ability tocontrol digital works already at the stage of accessing them by means of technological protection measures. The pervasive shift toward the use of digital technology for the creation, dissemination, exploitation and consumption of copyrighted material warrants a shift also in the way we perceive the structure of copyright rules. Premising the copyright order on the concept of digital access first calls for explaining the basic components of proprietary access control over information in the abstract. The book then surveys recent developments in the positive law, while showing how the theoreticalaccess-right construct could explain the logic behind them. Finally, the book critically analyzes existing approaches to curbing the resulting problems of imbalance and overprotection, which are said to disadvantage users. In conclusion, the book advocates for a structural overhaul of our currentregulative apparatus. The proposed reform involves a series of changes in the way we define copyright entitlements, and in the way in which those entitlements may interrelate within a single, coherent scheme. Zusammenfassung Copyright law has become the subject of general concerns that reach beyond the limited circles of specialists and prototypical rights-holders. The role, scope and effect of copyright mechanisms involve genuinely complex questions. Digitization trends and the legal changes that followed drew those complex matters to the center of an ongoing public debate. In Access-Right: The Future of Digital Copyright Law, Zohar Efroni explores theoretical, normative and practical aspects of premising copyright on the principle of access to works. The impetus to this approach has been the emergence of technology that many consider a threat to the intended operation, and perhaps even to the very integrity, of copyright protection in the digital setting: It is the ability to control digital works already at the stage of accessing them by means of technological protection measures. The pervasive shift toward the use of digital technology for the creation, dissemination, exploitation and consumption of copyrighted ma...
