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Informationen zum Autor Tino Balio is professor emeritus of film in the Department of Communication Arts at the University of Wisconsin-Madison and former director of the Wisconsin Center for Film and Theater Research. He is author of United Artists, Volume 1, 1919-1950 and Volume 2, 1951-1978 as well as Grand Design: Hollywood as Modern Business Enterprise, 1930-1939 . He is editor of The American Film Industry and Hollywood in the Age of Television . Klappentext From Roberto Rossellini's Open City in 1946 to Bernardo Bertolucci's Last Tango in Paris in 1973, Tino Balio tracks the critical reception in the press of such filmmakers as François Truffaut, Jean- Luc Godard, Federico Fellini, Michelangelo Antonioni, Tony Richardson, Ingmar Bergman, Akira Kurosawa, Luis Buñuel, Satyajit Ray, and Milos Forman. Zusammenfassung From Roberto Rossellini's Open City in 1946 to Bernardo Bertolucci's Last Tango in Paris in 1973! Tino Balio tracks the critical reception in the press of such filmmakers as Francois Truffaut! Jean- Luc Godard! Federico Fellini! Michelangelo Antonioni! Tony Richardson! Ingmar Bergman! Akira Kurosawa! Luis Bunuel! Satyajit Ray! and Milos Forman.
