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Informationen zum Autor Scott Burnham is Professor of Music at Princeton University! USA Zusammenfassung This volume features Burnham's classic essays on mainstream Western music, music theory, aesthetics and criticism. In these writings, Burnham listens for the values - aesthetic, ethical, intellectual - of those who have created influential discourse about music, while also listening for the values of the music for which that discourse has been generated. Inhaltsverzeichnis Contents: Introduction; Part I Theories and Practices: Romantic Aesthetics: Review Essay: E.T.A. Hoffmann's Musical Writings; Criticism! faith and the idée: A.B. Marx's early reception of Beethoven. Interpreting Historical Theory: Musical and intellectual values: interpreting the history of tonal theory; Method and motivation in Hugo Riemann's history of harmonic theory; A.B. Marx and the gendering of sonata form; Models of musical analysis: form. The State of Play: Approaches to Criticism and Analysis: The criticism of analysis and the analysis of criticism; Theorists and 'the music itself'; How music matters: poetic content revisited. Part II Impact and Effect: Critical Takes on Canonic Composers: Haydn! Mozart! Beethoven: The second nature of the sonata form; Haydn and humor; Mozart's felix culpa: Così fan tutte and the irony of beauty; On the beautiful in Mozart; Our sublime Ninth; The 4 ages of Beethoven: critical reception and the canonic composer. Schubert! Schumann: Schubert and the sound of memory; Landscape as music! landscape as truth: Schubert and the burden of repetition; Novel symphonies! dramatic overtures; Index.
Summary
This volume features Burnham's classic essays on mainstream Western music, music theory, aesthetics and criticism. In these writings, Burnham listens for the values - aesthetic, ethical, intellectual - of those who have created influential discourse about music, while also listening for the values of the music for which that discourse has been generated.
