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Zusatztext Carefully argued ... Lee's artfully constructed book is valuable for its account of the history and development of early and contemporary criticism, but it also has many penetrating comments on the play, going to the heart of some of its most irresolvable problems. If the Hamlet who emerges is a relatively familiar one, the processes which allow him to emerge in this way are meticulously and acutely examined. Informationen zum Autor John Lee is Lecturer in English, University of Bristol Klappentext This book offers a new approach to the discussion of English Renaissance literary subjectivity. Dissatisfied with much New Historicist and Cultural Materialistic criticism, it attempts to trace the history of the controversies of self. William Hazlitt emerges as a pioneering figure in atradition of literary criticism which this book tries to advance. Drawing on the personal construct theory of George A. Kelly, and on the moral theory of Alasdair MacIntyre, the textual ways are traced by which "That within" Hamlet is constructed. In an argument that challenges some of the foundingpropositions of New Historicist and Cultural Materialist practice, the Prince is seen to have a self-constituting, as opposed to a self-fashioning, sense of self. This sense of self is neither essentialist nor transhistorical; using the work of Charles Taylor, the play is seen to be exploring aMontaignesque, as opposed to Cartesian, notion of subjectivity. The controversies of self are, in fact, an issue within Shakespeare's play; and if the notion of Folio and Quarto Princes is allowed, it may even be at issue within the play. Hamlet debates our debate. Zusammenfassung This book offers a new approach to the discussion of English Renaissance literary subjectivity. Dissatisfied with much New Historicist and Cultural Materialistic criticism, it attempts to trace the history of the controversies of self. William Hazlitt emerges as a pioneering figure in a tradition of literary criticism which this book tries to advance. Drawing on the personal construct theory of George A. Kelly, and on the moral theory of Alasdair MacIntyre, the textual ways are traced by which 'That within' Hamlet is constructed. In an argument that challenges some of the founding propositions of New Historicist and Cultural Materialist practice, the Prince is seen to have a self-constituting, as opposed to a self-fashioning, sense of self. This sense of self is neither essentialist nor transhistorical; using the work of Charles Taylor , the play is seen to be exploring a Montaignesque, as opposed to Cartesian, notion of subjectivity. The controversies of self are, in fact, an issue within Shakespeare's play; and if the notion of Folio and Quarto Princes is allowed, it may even be at issue within the play. Hamlet debates our debate. Inhaltsverzeichnis Introduction 1The Changing of the Guard 2: Fear and Wonder 3: Something More than Fantasy 4: Fools of Nature 5: A Wave o' th' Sea 6: My Tables, My Tables 7: A King of Infinite Space 8: The Princes Hamlet Bibliography Index ...
