Fr. 96.00

Authorship and Appropriation - Writing for the Stage in England, 1660-1710

English · Hardback

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Zusatztext the enormous strength of this monograph is the close attention given to the detail of the market as it developed. Klappentext Authorship and Appropriation is the first full-length study of the cultural and economic status of playwriting in the later seventeenth and early eighteenth centuries! and argues that the period was a decisive one in the transition from Renaissance conceptions of authorship towards modern ones. Kewes offers a fresh account of the dramatic canon! revealing how the moderns--Dryden! Otway! Lee! Behn! and then their successors Congreve! Vanbrugh! and Farquhar--acquired an esteem equal! even superior! to their illustrious predecessors Shakespeare! Jonson! and Fletcher. Zusammenfassung A study of the cultural and economic status of playwriting between 1660 and 1710. The author argues that this period saw the move towards modern attitudes of dramatic art - which require authors to be the sole begetters of their works - and explores developments in the theatrical marketplace.

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