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Zusatztext With clarity and erudition at every turn, Professor Hirshberg illuminates the factors behind such a rapid development of a national musical life and style. Extensive, readable footnotes add depth, and they are complemented by a very useful bibliography and telling music examples. An important contribution to the study of recent music history and national styles, this book will prove an invaluable resource for musicologists and historians until well into the future, and will provide a basis for the `next chapter', a sequel treating the musical achievements of contemporary Israel. Klappentext This book presents a social history of the music of the Jewish community in Palestine from the beginnings of Jewish immigration to Palestine in 1880 to the declaration of the State of Israel in 1948. The story is a fascinating case study of a small society of immigrants and refugees whoestablished an internationally recognized professional musical establishment against the backdrop of two world wars! the absorption of successive waves of immigrants! local skirmishes! and a full-scale national war. Though under Ottoman and later British rule! Jewish society in Palestine wasvirtually autonomous in cultural matters; its musical culture struggled for a balance between a transplanted European heritage and a powerful! ideologically driven desire to find inspiration from the East. Hirshberg opens with a description of music in Palestine under Ottoman rule! and then proceedsto chart the momentous history of the next seventy years in a broadly chronological framework. His final chapters center on the broad array of ideological and social polemics which dominated the musical scene for the entire period. Zusammenfassung A social history of the music of the Jewish community in Palestine from the beginnings of Jewish immigration to Palestine in 1880 to the declaration of the State of Israel in 1948.
