Read more
Zusatztext "The fullest and finest charting of [O'Neill's] process [of self-discovery]... [It is also] a history of the American theatre in the twentieth century and contains... many interesting and original analyses of individual O'Neill plays."--Virginia Quarterly Review Informationen zum Autor About the Author: Travis Bogard, Professor Emeritus of Dramatic Art at the University of California, Berkeley, has co-edited several volumes of Eugene O'Neill's letters and is editing the forthcoming Complete Works of Eugene O'Neill. He was awarded a Gold Medal from The Theater Committee on Eugene O'Neill in 1984. Klappentext Eugene O'Neill! one of America's most gifted and prolific playwrights! wrote more than 60 plays between 1914 and 1941! a level of creativity paralleled in modern times only by Bernard Shaw. The progress of his art from crude! one-act plays to the monumental tragedies of his later years is astory as dramatic and compelling as that of his tortured personal history. Combining the two! Professor Bogard traces the contours of O'Neill's life in his art. By discussing! in their approximate order of composition! the published and unpublished works! Bogard illuminates not only the plays! butalso the literary! aesthetic! and historical influences on the playwright's development. For the revised edition of this insightful! meticulously written work! the author has added new and unpublished material on A Tale of Possessors! Self-dispossessed! a cycle of nine plays written by O'Neillduring the 1930s and '40s! only one of which he readied for the stage. Among the plays in this cycle that have been posthumously produced are More Stately Mansions (New York! 1967) and A Touch of the Poet (New York! 1958). Zusammenfassung Professor Bogard traces the progress of O'Neill's art from crude, one-act plays to the monumental tragedies of his later years, all in relation to the playwrights tortured personal history. The book illuminates not only the plays, but also the literary, aesthetic, and historical influences on the playwright's development....
