Fr. 306.00

Stocktakings - From an Apprenticeship

English · Hardback

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Zusatztext 'crucial document ... The passion behind Boulez's polemics is perhaps the most old-fashioned aspect of these essays - and also perhaps the most admirable.'David Schiff! Reed College! Notes! March 1993 Informationen zum Autor Leading French composer and conductor and writer on music. Klappentext In these essays, the leading French composer and conductor Pierre Boulez explains many of his most significant ideas about music. The essays are divided into four parts, the first three concerned with common preoccupations (aesthetic, technical, and polemical) and the last a collection of entries intended for a music encyclopedia. Boulez offers penetrating and provocative analyses of the music of the major figures of twentieth-century music including Stravinsky, Schoenberg, Berg, Webern, Debussy, Messiaen, and Ravel. His illuminating comments arise from intimate knowledge of the music, and the resulting collection is an essential document of post-war modern music. Zusammenfassung Pierre Boulez (born 1925) is a major figure in French musical life, being not only the leading French composer of his generation, but also an outstanding conductor. He is also a prolific writer on music, and this is a translation of his first collection of essays, published in France in 1966. In these essays Boulez worked out many of his most significant ideas about music, and he sets forth his views with characteristic intellectual vigour and acuity. The essays are divided into four parts, the first three concerned with a common preoccupation (aesthetic, technical, polemical), the last a collection of entries intended for a music encyclopaedia. Boulez writes mainly on the giants of twentieth-century music - Stravinsky, Schoenberg, Berg, Webern, Debussy, Messiaen, Ravel - and he offers penetrating and at times provocative analyses of some of their music and musical styles, such as neo-classicism and serialism. His illuminating comments arise from intimate knowledge of the music, and the resulting collection is an essential document of post-war modern music. Inhaltsverzeichnis Introduction; I: In search of a musical aesthetic; II: Towards a technology; III: A few squibs; IV: Entries for a musical encyclopaedia; Postface; Index...

Product details

Authors Pierre Boulez, Pierre ( Boulez, Pierre (Director of Ircam) Boulez, Stephen Walsh
Assisted by Paule Thevenin (Editor), Paule Thévenin (Editor), Robert Piencikowski (Introduction), Stephen Walsh (Translation)
Publisher Oxford University Press
 
Languages English
Product format Hardback
Released 15.08.1991
 
EAN 9780193112100
ISBN 978-0-19-311210-0
No. of pages 348
Assisted by Paule Thévenin
Subject Humanities, art, music > Music > General, dictionaries

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