Read more
Informationen zum Autor By Martin Wackernagel Translated by Alison Luchs Klappentext Wackernagel stresses the changing roles of commissions and patrons in the late fourteenth to the early fifteenth centuries, from small-scale enterprise under Lorenzo de Medici to the large-scale development of major Florentine monuments. Zusammenfassung Wackernagel stresses the changing roles of commissions and patrons in the late fourteenth to the early fifteenth centuries! from small-scale enterprise under Lorenzo de Medici to the large-scale development of major Florentine monuments. Inhaltsverzeichnis Translator's Acknowledgments Translator's Introduction Abbreviations Author's Preface Author's Introduction PART I The Commissions CHAPTER 1 Great Projects and Work on Them from 1420 to 1530 The Duomo and BaptisteryThe Church and Convent of Santa Maria NovellaThe Palazzo Vecchio CHAPTER 2 Sculptural Commissions Sculpture for Church BuildingsSculpture for Domestic Buildings CHAPTER 3 Painting Commissions Wall Painting and Stained Glass in the Interior of Churches and Convent BuildingsPanel Painting in Sacred SettingsBanners and VestmentsPaintings in Domestic InteriorsHousehold Paintings on Wood and CanvasPainting on the Exterior of Buildings and Throughout the Cityscape CHAPTER 4 Artistic Participation in the Staging of Public Festivities and Spectacles PART II The Patrons CHAPTER 5 The City Government and the Guilds CHAPTER 6 Private Patronage in the Early and Mid-Quattrocento Representatives of the First Stage of the Early RenaissanceGiovanni Rucellai and Cosimo de' MediciCosimo’s Sons, Piero and Giovanni de' Medici Attitudes and Forms of Patronage CHAPTER 7 Lorenzo Magnifico, Piero di Lorenzo, and Lorenzo di Pierfrancesco de’ Medici CHAPTER 8 Patrons from the Medici Circle in Florence and the Netherlands: the Sassetti, Portinari, Tornabuoni, Filippo Strozzi, and Others CHAPTER 9 Patrons of the High Renaissance and Extra-Florentine Commissioners and Collectors CHAPTER 10 The General Attitude toward Art: The Public and the Artist PART III The Artist’s Workshop and the Art Market CHAPTER 11 The Artist Class: Its Numerical Strength, Professional Organization, and Occupational Divisions CHAPTER 12 Studios and their Working Procedures Living and Working Places and the Organization of Work: Master, Assistants, and ApprenticesThe Process of SculptureThe Painter's Working Procedure: DrawingExecution of Panel and Wall PaintingsThe New Generation of Artists: Training for Apprentices and Assistants CHAPTER 13 Business Practices in the Workshop and Art Market Price Formation and Forms of PaymentEconomic Status of Artists CHAPTER 14 The Artists Class Status and Class ConsciousnessThe Artist as a Person, his Social Circle, his Way of Life and WorkThe Artistic Temperament and Range of InterestsThe Artistic Type in Contemporary Society Author's Bibliography Translator's Bibliography Index ...
