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Informationen zum Autor Michele Elam (née Birnbaum) is Martin Luther King, Jr Centennial Professor, Olivier Nomellini Family University Fellow in Undergraduate Education, Professor of English and Director of Curriculum at Stanford University, California. She is the author of The Souls of Mixed Folk: Race, Politics, and Aesthetics in the New Millennium (2011) and editor of The Cambridge Companion to James Baldwin (forthcoming, 2014). Chair of the Executive Committee for the Black Literatures and Culture Division of the Modern Language Association (2009-13), at Stanford University she has served as Director of the Program in African and African American Studies (2007-10) and Director of Undergraduate Studies in the Department of English (2006-8). Elam is twice the recipient of the St Clair Drake Outstanding Teaching Award at Stanford (2004 and 2006). Klappentext Michele Birnbaum examines representations of interracial work bonds in fiction and literary correspondence by black and white authors and artists. Zusammenfassung Birnbaum examines representations of interracial work bonds in fiction and literary correspondence by black and white authors and artists - including Elizabeth Keckley! W. D. Howells! Grace King! Kate Chopin! Langston Hughes! Amy Spingarn and Carl Van Vechten. This study will be of interest to scholars in both literary and cultural studies. Inhaltsverzeichnis Illustrations; Acknowledgments; Introduction: Working relations and racial desire; 1. Dressing down the first lady: Elizabeth Keckley's Thirty Years a Slave and Four Years in the White House; 2. Off-color patients in Frances E. W. Harper's Iola Leroy and W. D. Howells' An Imperative Duty; 3. 'Alien hands' in Kate Chopin's The Awakening; 4. 'For blood that is not yours': Langston Hughes and the art of patronage; Epilogue: 'Co-workers in the kingdom of culture'.
