Fr. 236.00

Chant Graegorien Et Musique Maediaevale

English · Hardback

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Zusatztext 'Apart from the easy availability of the articles! this series has added value in the indexes! with separate ones for MSS! place names! personal names! and chant texts.' Early Music Review 'This supplementary material and the occasionally out-of-the-way places in which the original articles appeared would make these volumes essential to any university library that is serious about medieval music. In addition! multiple indexes (of manuscripts! place names! names of individuals! and an index of chants) allow readers to identify and access multiple references in both the original articles and the addenda.' Plainson and Medieval Music 'Huglo published three books and over two hundred articles on the history and manuscripts of Eastern and Western plainchant! late antique and medieval music theory! and early organum. Eighty of these have been reprinted as a four-volume set in Ashgate's Variorum Collected Studies series! a dazzling display of scholarship on almost all aspects of early medieval music.' AMS Newsletter Informationen zum Autor Michel Huglo is Emeritus Director of Research at the CNRS! Paris! France. Zusammenfassung This third in a set of four collections of articles by Michel Huglo to be published in the Variorum series brings together studies of Gregorian chant and later monophonic and polyphonic additions to the earlier repertory that occupied Huglo in the second phase of his research. Inhaltsverzeichnis Contents: Introduction, Michel Huglo; Chant Grégorien: Le traitement de l'accent tonique latin au Moyen âge d'après le chant grégorien; Origine et diffusion des Kyrie; Le Répons-Graduel de la Messe. Evolution de la forme. Permanence de la fonction; Les livres liturgiques de la Chaise-Dieu. Poésie Liturgique, Tropes, Séquences et Drames Liturgiques: Les versus de Venance Fortunat pour la procession du Samedi-saint à Notre-Dame de Paris; Remarques sur un manuscrit de la Consolatio Philosophiae (Londres, British Library, Harleian 3095); Aux origines des tropes d'interpolation: le trope méloforme d'introit. 1ère partie: la tradition sangallienne [St. Gall, Stiftsbibliothek 484 et 381]; Compte rendu: Stiftsbibliothek Sankt Gallen Codices 484 & 381; Compte rendu: Codex 121 Einsiedeln, t. 1: Graduale und Sequenzen Notkers von St. Gallen, t. 2: Kommentar zum Faksimile, éd. Otto Lang (Weinheim: VCH, Acta humaniora, 1991); Centres de composition des tropes et cercles de diffusion; Une élégie sur la mort de Guillaume le Conquérant; Un nouveau prosaire nivernais; Les séquences de Münsterbilsen (Bruxelles, Bibliothèque Royale, 9736-9790); Analyse codicologique des drames liturgiques de Fleury (Orléans, Bibliothèque municipale, ms. 201). Organum et Polyphonie: L'organum à Landévennec au IXe siècle; Les origines de l'organum vocal en France et en Italie d'après les données de l'ethnomusicologie et d'après les sources historiques; Du répons de l'Office avec prosule au répons organisé; Les débuts de la polyphonie à Paris: les premiers organa parisiens; Le manuscrit de la Messe de Tournai; A propos du Requiem de Du Caurroy. Addenda et corrigenda; Indexes. ...

Summary

This third in a set of four collections of articles by Michel Huglo to be published in the Variorum series brings together studies of Gregorian chant and later monophonic and polyphonic additions to the earlier repertory that occupied Huglo in the second phase of his research.

Product details

Authors Michel Huglo, Huglo Michel
Publisher ASHGATE PUB CO
 
Languages English
Product format Hardback
Released 26.07.2005
 
EAN 9780860789505
ISBN 978-0-86078-950-5
No. of pages 390
Dimensions 171 mm x 248 mm x 25 mm
Series Variorum Collected Studies
Variorum Collected Studies
Subjects Humanities, art, music > Music

Music, MUSIC / General

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