Frankenstein''s Children - Electricity, Exhibition, Experiment in Early Nineteenth Century

During the second quarter of the nineteenth century, Londoners were enthralled by a strange fluid called electricity. In examining this period, Iwan Morus moves beyond the conventional focus on the celebrated Michael Faraday to discuss other electrical experimenters, who aspired to spectacular public displays of their discoveries. Revealing connections among such diverse fields as scientific lecturing, laboratory research, telegraphic communication, industrial electroplating, patent conventions, and innovative medical therapies, Morus also shows how electrical culture was integrated into a new machine-dominated, consumer society. He sees the history of science as part of the history of production, and emphasizes the labor and material resources needed to make electricity work.

Frankenstein's Children explains that Faraday, with his colleagues at the Royal Society and the Royal Institution, looked at science as the province of a highly trained elite, who presented their abstract picture of nature only to select groups. The book contrasts Faraday's views with those of other practitioners, to whom science was a practical, skill-based activity open to all. In venues such as the Galleries of Practical Science, electrical phenomena were presented to a public less distinguished but no less enthusiastic and curious than Faraday's audiences. William Sturgeon, for instance, emphasized building apparatus and exhibiting electrical phenomena, while chemists, instrument-makers, and popular lecturers supported the London Electrical Society. These previously little studied "electricians" contributed much to the birth of "Frankenstein's children"--the not completely benign effects of electricity on a new consumer world.

Originally published in 1998.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

List of contents

List of Illustrations Introduction: Electricity, Experiment, and the Experimental Life Ch. 1The Errors of a Fashionable Man: Michael Faraday and the Royal Institution Ch. 2The Vast Laboratory of Nature: William Sturgeon and Popular Electricity Ch. 3Blending Instruction with Amusement: London's Galleries of Practical Science Ch. 4A Science of Experiment and Observation: The Rise and Fall of the London Electrical Society Ch. 5The Right Arm of God: Electricity and the Experimental Production of Life Pt. 2Managing Machine Culture Introduction: From Performance to Process Ch. 6They Have No Right to Look for Fame: The Patenting of Electricity Ch. 7To Annihilate Time and Space: The Invention of the Telegraph Ch. 8Under Medical Direction: The Regulation of Electrotherapy Coda: The Disciplining of Experimental Life Notes Bibliography Index

About the author

Iwan Rhys Morus

Summary

During the second quarter of the nineteenth century, Londoners were enthralled by a strange fluid called electricity. In examining this period, Iwan Morus moves beyond the conventional focus on the celebrated Michael Faraday to discuss other electrical experimenters, who aspired to spectacular public displays of their discoveries. Revealing connections among such diverse fields as scientific lecturing, laboratory research, telegraphic communication, industrial electroplating, patent conventions, and innovative medical therapies, Morus also shows how electrical culture was integrated into a new machine-dominated, consumer society. He sees the history of science as part of the history of production, and emphasizes the labor and material resources needed to make electricity work.

Frankenstein's Children explains that Faraday, with his colleagues at the Royal Society and the Royal Institution, looked at science as the province of a highly trained elite, who presented their abstract picture of nature only to select groups. The book contrasts Faraday's views with those of other practitioners, to whom science was a practical, skill-based activity open to all. In venues such as the Galleries of Practical Science, electrical phenomena were presented to a public less distinguished but no less enthusiastic and curious than Faraday's audiences. William Sturgeon, for instance, emphasized building apparatus and exhibiting electrical phenomena, while chemists, instrument-makers, and popular lecturers supported the London Electrical Society. These previously little studied "electricians" contributed much to the birth of "Frankenstein's children"--the not completely benign effects of electricity on a new consumer world.

Originally published in 1998.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Additional text

"A fine book. . . . [It] adds substantially to our understanding not only of the history of electricity but also of a seminal period in the emergence of modern science and technology."—Bruce J. Hunt

Product details

• Authors: Iwan Morus, Iwan Rhys Morus, Morus Iwan Rhys
• Publisher: Princeton University Press
• Languages: English
• Product format: Paperback / Softback
• Released: 14.07.2014
• EAN: 9780691605272
• ISBN: 978-0-691-60527-2
• No. of pages: 340
• Series: Princeton Legacy Library; Princeton Legacy Library
• Subjects: Humanities, art, music > History; Natural sciences, medicine, IT, technology > Natural sciences (general); Non-fiction book > History > Miscellaneous; SCIENCE / History, History of Science, British & Irish history, United Kingdom, Great Britain