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Informationen zum Autor Ruth Page is a lecturer in English language at the University of Leicester. She is the author of Literary and Linguistic Approaches to Feminist Narratology and Stories and Social Media: Identities and Interaction. Bronwen Thomas is a senior lecturer in linguistics and literature at the Media School, Bournemouth University, and is the author of Fictional Dialogue: Speech and Conversation in the Modern and Postmodern Novel (forthcoming from the University of Nebraska Press). Contributors include Alice Bell, Paul Cobley, Astrid Ensslin, Brian Greenspan, Nick Haeffner, David Herman, Michael Joyce, Heather Diane Lotherington, Nick Montfort, James Newman, Daniel Punday, Scott Rettberg, Marie-Laure Ryan, Andrew Salway, and Iain Simons. Klappentext Ruth Page is a lecturer in English language at the University of Leicester. She is the author of Literary and Linguistic Approaches to Feminist Narratology and Stories and Social Media: Identities and Interaction. Bronwen Thomas is a senior lecturer in linguistics and literature at the Media School, Bournemouth University, and is the author of Fictional Dialogue: Speech and Conversation in the Modern and Postmodern Novel (forthcoming from the University of Nebraska Press). ¿Contributors include Alice Bell, Paul Cobley, Astrid Ensslin, Brian Greenspan, Nick Haeffner, David Herman, Michael Joyce, Heather Diane Lotherington, Nick Montfort, James Newman, Daniel Punday, Scott Rettberg, Marie-Laure Ryan, Andrew Salway, and Iain Simons. Just as the explosive growth of digital media has led to ever-expanding narrative possibilities and practices, so these new electronic modes of storytelling have, in their own turn, demanded a rapid and radical rethinking of narrative theory. This timely volume takes up the challenge, deeply and broadly considering the relationship between digital technology and narrative theory. Inhaltsverzeichnis List of Illustrations List of Tables Introduction Ruth Page and Bronwen ThomasPart 1. New Foundations1. From Synesthesia to Multimedia: How to Talk about New Media Narrative Daniel Punday2. The Interactive Onion: Layers of User Participation in Digital Narrative Texts Marie-Laure Ryan3. Ontological Boundaries and Methodological Leaps: The Importance of Possible Worlds Theory for Hypertext Fiction (and Beyond) Alice Bell4. Seeing through the Blue Nowhere: On Narrative Transparency and New Media Michael JoycePart 2. New Architectures5. Curveship: An Interactive Fiction System for Narrative Variation Nick Montfort6. Digitized Corpora as Theory-Building Resource: New Methods for Narrative Inquiry Andrew Salway and David Herman7. From (W)reader to Breather: Cybertextual De-intentionalization and Kate Pullinger's Breathing Wall Astrid Ensslin8. Songlines in the Streets: Story Mapping with Itinerant Hypernarrative Brian Greenspan9. Narrative Supplements: DVD and the Idea of the "Text" Paul Cobley and Nick HaeffnerPart 3. New Practices10. All Together Now: Hypertext, Collective Narratives, and Online Collective Knowledge Communities Scott Rettberg11. "Update Soon!" Harry Potter Fanfiction and Narrative as a Participatory Process Bronwen Thomas12. Blogging on the Body: Gender and Narrative Ruth Page13. Using the Force: LEGO Star Wars: The Video Game, Intertextuality, Narrative, and Play James Newman and Iain Simons14. Digital Narratives, Cultural Inclusion, and Educational Possibility: Going New Places with Old Stories in Elementary School Heather LotheringtonGlossaryContributors...
