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Zusatztext " Beyond the Dream Syndicate is a tour de force of both interpretative and historiographic acuity." Informationen zum Autor Branden W. Joseph is Frank Gallipoli Professor of Modern and Contemporary Art in the Department of Art History and Archaeology at Columbia University and an editor of the journal Grey Room (MIT Press). Klappentext Examining Tony Conrad's collaborative interactions as a guiding thread by which to investigate the contiguous networks and discursive interconnections in 1960s art. Zusammenfassung Tony Conrad is exemplary of the 1960s artist who remains inassimilable to canonic histories. Creator of the “structural” film, The Flicker , collaborator on Jack Smith’s Flaming Creatures and Normal Love , follower of Henry Flynt’s radical anti-art, member of the Theatre of Eternal Music and the first incarnation of The Velvet Underground, and early associate of Mike Kelley, Tony Oursler, and Cindy Sherman, Conrad has significantly impacted cultural developments from minimalism to underground film, “concept art,” postmodern appropriation, and the most sophisticated rock and roll. Yet Beyond the Dream Syndicate does not claim Conrad as a major but under-recognized figure. Rather, by drawing on Deleuzian notions of the “minor” and the Foucauldian problematization of authorship found in Conrad’s own artistic/musical project, Early Minimalism , it disperses him into an “author function.” Neither monograph nor social history, the book takes Conrad’s collaborative interactions as a guiding thread by which to investigate the contiguous networks and discursive interconnections amongst the arts of the time.
About the author
Branden W. Joseph
