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Brings together academic and professional perspectives on the complex relationship between sound and moving images. This book encourages writing on fresh developments, such as sound installations, computer-based delivery, and the psychology of the interaction of image and sound.
List of contents
Table of contents
Editorial
ArticlesSonarchy in the UK: is sound design a rebellious teenager?
Andy Farnell
Sound design: an applied, experimental framework to study the perception of everyday sounds
Patrick Susini, Olivier Houix and Nicolas Misdariis
Organic and free range sound design
Neil Hillman
Human performance of computational sound models for immersive environments Christian Heinrichs, Andrew McPherson and Andy Farnell
Sounding objects in Europe
Davide Rocchesso
Closing the loop of sonifi cation and electroacoustic music practices through gesture and embodied interaction
Pietro Polotti
Sonic hyperrealism: illusions of a non-existent aural reality
Vytis Puronas
About the author
Dr Sandra Pauletto has a background in Physics (MPhys(Hons), Manchester) and Music (Classical Guitar, Conservatorio "G.Tartini", Trieste, Italy), education that she has combined in a MSc and PhD in Music Technology at the University of York.
She has worked as a Research Assistant at Loughborough University and York University, and as a Lecturer at Huddersfield University and York University. Since October 2007, she is the Director of the MA/MSc in Postproduction with Sound Design at the Department of Theatre Film and TV at the University of York. Sandra has published many articles on sound design in various fields: from film to auditory displays, from speech synthesis for communication technology to sonic interaction design. Sandra was the Chair of two international symposia on sound design. The first titled Sonic Interaction Design and its relation to Film and Theatre Sound Design in 2009 and the second in 2013 titles Perspectives on Sound Design.
