Fr. 199.00

Twisted Muse - Musicians and Their Music in the Third Reich

English · Hardback

Shipping usually within 1 to 3 weeks (not available at short notice)

Description

Read more

Zusatztext Michael H. Kater ... addresses the question in The Twisted Muse: Musicians and Their Music in the Third Reich ... reaching some interesting conclusions. Klappentext Is music removed from politics? To what ends! beneficent or malevolent! can music and musicians be put? In short! when human rights are grossly abused and politics turned to fascist demagoguery! can art and artists be innocent? These questions and their implications are explored in Michael Kater's broad survey of musicians and the music they composed and performed during the Third Reich. Great and small - from Valentin Grimm! a struggling clarinetist! to Richard Strauss! renowned composer - are examined by Kater! sometimes in intimate detail! and the lives and decisions of Nazi Germany's professional musicians are laid out before the reader. Who collaborated? And to what extent? Who was persecuted! and to what effect? Along the way! Kater manages to debunk! authoritatively! old arguments and expose collaborators - notably Elisabeth Schwarzkopf. This major opera diva of the 1950s and 60s! who has for years adamantly denied her affiliation to the Nazi party! is shown to have ingratiated herself with the Nazi rulers. More widely! Kater tackles the issue of whether the Nazi regime! because it held music in crassly utilitarian regard! acted on musicians in such a way as to consolidate or atomize the profession. Kater's examination of the value of music for the regime and the degree to which the regime attained a positive propaganda and palliative effect through its manipulation of musicians and German music adds much to our understanding of culture in totalitarian regimes. Zusammenfassung Michael Kater's work probes the relationship of music with society and politics in the Nazi system, 1933-1945. It addresses the question whether the Nazi regime, which utilized music and musicians for the regime's own political purposes, controlled the musicians and the music, or whether these remained in some measure autonomous. A major question answered is: how did the creative genius survive?...

Product details

Authors Michael Kater, Michael H. Kater, Michael H. (Distinguished Research Professo Kater
Publisher Oxford University Press
 
Languages English
Product format Hardback
Released 10.04.1997
 
EAN 9780195096200
ISBN 978-0-19-509620-0
No. of pages 344
Subject Humanities, art, music > History > Regional and national histories

Customer reviews

No reviews have been written for this item yet. Write the first review and be helpful to other users when they decide on a purchase.

Write a review

Thumbs up or thumbs down? Write your own review.

For messages to CeDe.ch please use the contact form.

The input fields marked * are obligatory

By submitting this form you agree to our data privacy statement.