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"If there's a future for comics, Kramers Ergot seems to have bottled it. The first really new paradigm for an avant-garde comix anthology since RAW." -Art SpiegelmanKramers Ergot is the premier comics anthology of the twenty-first century. Since its inception in 2000, it has revolutionized the medium, introducing new talents, solidifying aesthetics and standing as a state-of-the-medium book.
Kramers Ergot has always been a reflection of editor Sammy Harkham's current interests in comics past and future. So it is in this spirit, with this new volume, that he severs the anthology from many of the formal and stylistic elements with which it made its name. Whereas past issues were oversize, colorful and filled with a variety of artists all designed to overwhelm the reader with raw power,
Kramers Ergot 8 is a complete shift both aesthetically and physically. The size of the book is smaller, to encourage a more intimate reading of the material, and the content reflects a focus on substantial works from a small group of no more than a dozen artists who, rather than being aesthetically disparate, reflect a more specific and unified aesthetic space of discipline, sophistication and quiet power. Among the contributors are Anya Davidson, Leon Sadler, Ben Jones, CF, Sammy Harkham, Tim Hensley, Kevin Huizenga, Takeshi Murata, Robert Beatty, Chris Cilla, Gabrielle Bell, Frank Santoro & Dash Shaw, Johnny Ryan and Gary Panter. It also includes a 40-page reprint of the 1970s comic strip "Wicked Wanda" by Frederic Mullally and Ron Embleton as well as an introductory essay by Ian Svenonius. Packaged in clothbound covers designed by artist Robert Beatty, this is the essential comics title of 2011.
Summary
"If there's a future for comics, Kramers Ergot seems to have bottled it. The first really new paradigm for an avant-garde comix anthology since RAW.” –Art Spiegelman
Kramers Ergot is the premier comics anthology of the twenty-first century. Since its inception in 2000, it has revolutionized the medium, introducing new talents, solidifying aesthetics and standing as a state-of-the-medium book. Kramers Ergot has always been a reflection of editor Sammy Harkham's current interests in comics past and future. So it is in this spirit, with this new volume, that he severs the anthology from many of the formal and stylistic elements with which it made its name. Whereas past issues were oversize, colorful and filled with a variety of artists all designed to overwhelm the reader with raw power, Kramers Ergot 8 is a complete shift both aesthetically and physically. The size of the book is smaller, to encourage a more intimate reading of the material, and the content reflects a focus on substantial works from a small group of no more than a dozen artists who, rather than being aesthetically disparate, reflect a more specific and unified aesthetic space of discipline, sophistication and quiet power. Among the contributors are Anya Davidson, Leon Sadler, Ben Jones, CF, Sammy Harkham, Tim Hensley, Kevin Huizenga, Takeshi Murata, Robert Beatty, Chris Cilla, Gabrielle Bell, Frank Santoro & Dash Shaw, Johnny Ryan and Gary Panter. It also includes a 40-page reprint of the 1970s comic strip "Wicked Wanda" by Frederic Mullally and Ron Embleton as well as an introductory essay by Ian Svenonius. Packaged in clothbound covers designed by artist Robert Beatty, this is the essential comics title of 2011.
