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Zusatztext “Ingenious . . . breathless suspense.”— The Nation Informationen zum Autor Gaston Leroux was born on 6 May 1868 in Paris and after school in Normandy, he returned to Paris to study law. His extreme gambling is well-documented after he squandered the millions he had inherited, narrowly escaping bankruptcy. He worked as a court reporter and theatre critic before landing a job as an international correspondent for Le Matin . During this time Leroux travelled to Russia to experience and report on the Russian Revolution. In 1907 he gave up journalism to become a writer, and quickly found success with Le Mystère de la Chambre Jaune (1908) . He became well-known for his popular and acclaimed crime and thriller novels, but Leroux also wrote poetry and short fiction. His most famous work, Le Fantôme de l'Opéra (The Phantom of the Opera ), was inspired by a tour of the cellars at the Paris Opera, and published in 1911. The story has been adapted for film and, most notably, for Andrew Lloyd Webber's long-running musical. Gaston Leroux died on 15 April 1927. Mireille Ribière is a freelance author and translator. She holds a PhD in twentieth-century French literature from the University of London and is a well-known specialist of the work of French writer Georges Perec. She has published extensively in the fields of twentieth-century literature, as well as photography and the visual arts. Klappentext A sparkling new translation of the novel that inspired the most popular stage musical of all time. Rumors abound that a ghost stalks the dark passages and cellars of the Paris Opera House. No one has actually seen this Phantom, but Christine Daaé, a beautiful and talented young singer, has heard his voice. He is her "Angel of Music," coaching her to sing as she never could before. When the handsome Viscount begins to court Christine, the mysterious Phantom-consumed by jealousy-rises up to seek revenge. This new translation of The Phantom of the Opera captures the Gothic horror and tragic romance of Gaston Leroux's timeless original. It is published with a new introduction that examines the Phantom's legacy and uncovers the secrets of the Paris Opera. For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. 1. Is It the Ghost? It was the evening on which MM. Debienne and Poligny, the managers of the Opera, were giving a last gala performance to mark their retirement. Suddenly the dressing-room of La Sorelli, one of the principal dancers, was invaded by half-a-dozen young ladies of the ballet, who had come up from the stage after “dancing” Polyeucte. They rushed in amid great confusion, some giving vent to forced and unnatural laughter, others to cries of terror. Sorelli, who wished to be alone for a moment to “run through” the speech which she was to make to the resigning managers, looked around angrily at the mad and tumultuous crowd. It was little Jammes—the girl with the tip-tilted nose, the forget-me-not eyes, the rose-red cheeks and the lily-white neck and shoulders—who gave the explanation in a trembling voice: “It’s the ghost!” And she locked the door. Sorelli’s dressing-room was fitted up with official, commonplace elegance. A pier-glass, a sofa, a dressing-table and a cupboard or two provided the necessary furniture. On the walls hung a few engravings, relics of the mother, who had known the glories of the old Opera in the Rue le Peletier; portraits of Vestris, Gardel, Dupont, Bigottini. But...
