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Contributors explore Schubert's youthful participation in the Nonsense Society, his circle of friends, and changing views about the composer during his life and in the century after his death. New insights are offered about the connections between Schubert's music and the popular theater of the day, his strategies for circumventing censorship, the musical and narrative relationships linking his song settings of poems by Gotthard Ludwig Kosegarten, and musical tributes he composed to commemorate the death of Beethoven just twenty months before his own. The book also includes translations of excerpts from a literary journal produced by Schubert's classmates and of Franz Liszt's essay on the opera Alfonso und Estrella
List of contents
Preface and Acknowledgments vii Permissions and Credits xvii Schubert: The Nonsense Society Revisited 1 RITA STEBLIN Excerpts from Beytrage zur Bildung fur Junglinge, 1817-1818 39 ANTON VON SPAUN AND JOHANN MAYRHOFER TRANSLATED, INTRODUCED, AND ANNOTATED BY DAVID GRAMIT "Those of us who found our life in art": The Second-Generation 67 Romanticism of the Schubert-Schober Circle, 1820-1825 JOHN M. GINGERICH Schubert's Kosegarten Settings of 1815: A Forgotten Liederspiel 115 MORTEN SOLVIK The Queen of Golconda, the Ashman, and the Shepherd on a Rock: Schubert and the Vienna Volkstheater 157 LISA FEURZEIG Liszt on Schubert's Alfonso und Estrella 183 INTRODUCED AND TRANSLATED BY ALLAN KEILER Schubert's Freedom of Song, If Not Speech 201 KRISTINA MUXFELDT Schubert's Tombeau de Beethoven: Decrypting the Piano Trio in E-flat Major, Op. 100 241 CHRISTOPHER H. GIBBS Schubert in History 299 LEON BOTSTEIN Index 349 Notes on Contributors 363
About the author
Christopher H. Gibbs is the James H. Ottaway Jr. Professor of Music at Bard College and coartistic director of the Bard Music Festival. He is the author of
The Life of Schubert.
Morten Solvik is Center Director of IES Abroad Vienna, where he also teaches music history. His work includes articles on Schubert, Bruckner, and Mahler.
Summary
During his short lifetime, Franz Schubert (1797-1828) contributed to a wide variety of musical genres, from intimate songs and dances to ambitious chamber pieces, symphonies, and operas. The essays and translated documents in Franz Schubert and His World examine his compositions and ties to the Viennese cultural context, revealing surprising and ov
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"The historical background provided by these essays often sheds light on the music. A thorough index makes this a valuable reference work as well as a good read."---Stephen Matthews, The Schubertian
