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Informationen zum Autor John F. Miller is the Arthur F. and Marian W. Stocker Professor of Classics and Chair of the Department of Classics at the University of Virginia. His publications include Apollo, Augustus, and the Poets (2009) and Ovid's Elegiac Festivals: Studies in the Fasti (1991). Carole Newlands is Professor of Classics at the University of Colorado Boulder. Her publications include Statius: Poet between Rome and Naples (2012); Statius, Siluae 2, A Commentary (2011); Statius' Siluae and the Poetics of Empire (2002); Playing with Time: Ovid and the Fasti (1995). Klappentext A Handbook to the Reception of Ovid presents more than 30 original essays written by leading scholars revealing the rich diversity of critical engagement with Ovid's poetry that spans the Western tradition from antiquity to the present day.* Offers innovative perspectives on Ovid's poetry and its reception from antiquity to the present day* Features contributions from more than 30 leading scholars in the Humanities.* Introduces familiar and unfamiliar figures in the history of Ovidian reception.* Demonstrates the enduring and transformative power of Ovid's poetry into modern times. Zusammenfassung A Handbook to the Reception of Ovid presents more than 30 original essays written by leading scholars revealing the rich diversity of critical engagement with Ovid s poetry that spans the Western tradition from antiquity to the present day. Inhaltsverzeichnis Illustrations ix Notes on Contributors xi Acknowledgments xvii Introduction 1 Carole E. Newlands and John F. Miller 1 Ovid's Self-Reception in His Exile Poetry 8 K. Sara Myers 2 Modeling Reception in Metamorphoses: Ovid's Epic Cyclops 22 Andrew Feldherr 3 Ovidian Myths on PompeianWalls 36 Peter E. Knox 4 Ovid in Flavian Occasional Poetry (Martial and Statius) 55 Gianpiero Rosati 5 Poetae Ovidiani: Ovid's Metamorphoses in Imperial Roman Epic 70 Alison Keith 6 Ovid in Apuleius' Metamorphoses 86 Stephen Harrison 7 A Poet between TwoWorlds: Ovid in Late Antiquity 100 Ian Fielding 8 Commentary and Collaboration in the Medieval Allegorical Tradition 114 Jamie C. Fumo 9 The Mythographic Tradition after Ovid 129 Gregory Hays 10 Ovid's Exile and Medieval Italian Literature: The Lyric Tradition 144 Catherine Keen 11 Venus's Clerk: Ovid's Amatory Poetry in the Middle Ages 161 Marilynn Desmond 12 The Metamorphosis of Ovid in Dante's Divine Comedy 174 Diskin Clay 13 Ovid in Chaucer and Gower 187 Andrew Galloway 14 Ovid's Metamorphoses and the History of Baroque Art 202 Paul Barolsky 15 The Poetics of Time: The Fasti in the Renaissance 217 Maggie Kilgour 16 Shakespeare and Ovid 232 Sean Keilen 17 Ben Jonson's Light Reading 246 Heather James 18 Love Poems in Sequence: The Amores from Petrarch to Goethe 262 Gordon Braden 19 Don Quixote as Ovidian Text 277 Frederick A. de Armas 20 Spenser and Ovid 291 Philip Hardie 21 Ovidian Intertextuality in Ariosto's Orlando Furioso 306 Sergio Casali 22 "Joy and Harmles Pastime": Milton and the Ovidian Arts of Leisure 324 Mandy Green 23 Ovid Translated: Early Modern Versions of the Metamorphoses 339 Dan Hooley 24 Ovid in Restoration and Eighteenth-Century England 355 James M. Horowitz 25 The Influence of Ovid in Opera 371 Jon Solomon 26 Ovid in Germany 386 Theodore Ziolkowski 27 Ovid and Russia's Poets of Exile 401<...
List of contents
Illustrations ix
Notes on Contributors xi
Acknowledgments xvii
Introduction 1
Carole E. Newlands and John F. Miller
1 Ovid's Self-Reception in His Exile Poetry 8
K. Sara Myers
2 Modeling Reception in Metamorphoses: Ovid's Epic Cyclops 22
Andrew Feldherr
3 Ovidian Myths on PompeianWalls 36
Peter E. Knox
4 Ovid in Flavian Occasional Poetry (Martial and Statius) 55
Gianpiero Rosati
5 Poetae Ovidiani: Ovid's Metamorphoses in Imperial Roman Epic 70
Alison Keith
6 Ovid in Apuleius' Metamorphoses 86
Stephen Harrison
7 A Poet between TwoWorlds: Ovid in Late Antiquity 100
Ian Fielding
8 Commentary and Collaboration in the Medieval Allegorical Tradition 114
Jamie C. Fumo
9 The Mythographic Tradition after Ovid 129
Gregory Hays
10 Ovid's Exile and Medieval Italian Literature: The Lyric Tradition 144
Catherine Keen
11 Venus's Clerk: Ovid's Amatory Poetry in the Middle Ages 161
Marilynn Desmond
12 The Metamorphosis of Ovid in Dante's Divine Comedy 174
Diskin Clay
13 Ovid in Chaucer and Gower 187
Andrew Galloway
14 Ovid's Metamorphoses and the History of Baroque Art 202
Paul Barolsky
15 The Poetics of Time: The Fasti in the Renaissance 217
Maggie Kilgour
16 Shakespeare and Ovid 232
Sean Keilen
17 Ben Jonson's Light Reading 246
Heather James
18 Love Poems in Sequence: The Amores from Petrarch to Goethe 262
Gordon Braden
19 Don Quixote as Ovidian Text 277
Frederick A. de Armas
20 Spenser and Ovid 291
Philip Hardie
21 Ovidian Intertextuality in Ariosto's Orlando Furioso 306
Sergio Casali
22 "Joy and Harmles Pastime": Milton and the Ovidian Arts of Leisure 324
Mandy Green
23 Ovid Translated: Early Modern Versions of the Metamorphoses 339
Dan Hooley
24 Ovid in Restoration and Eighteenth-Century England 355
James M. Horowitz
25 The Influence of Ovid in Opera 371
Jon Solomon
26 Ovid in Germany 386
Theodore Ziolkowski
27 Ovid and Russia's Poets of Exile 401
Andrew Kahn
28 Alter-Ovid--Contemporary Art on the Hyphen 416
Jill H. Casid
29 Contemporary Poetry: After After Ovid 436
Sarah Annes Brown
30 Ovid's "Biography": Novels of Ovid's Exile 454
Rainer Godel
31 Ovid and the Cinema: An Introduction 469
Martin M.Winkler
Index 485
Report
"While readers will also want to consult works by Doody(1985), Hopkins (2010), Oakley-Brown (2006) and Martindale (1988)- among many others, too numerous to list - this newHandbookis highly recommended as a scholarly introduction to thereception of Ovid." ( Eighteenth-century Studies andEighteenth-century Literature , 1 October 2014)
