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This collection brings the broad discussion about digital humanities into focus through Shakespeare in research, teaching, publishing and performance.
List of contents
Introduction: Shakespeare and the digital world: an introduction Christie Carson and Peter Kirwan; Part I. Defining Current Digital Scholarship and Practice: Shakespeare Research in the Digital Age: Introduction Christie Carson; 1. Shakespeare in the digital humanities John Lavagnino; 2. Getting back to the library, getting back to the body Bruce R. Smith; 3. Sensing the past: tablets and early modern scholarship Farah Karim-Cooper; 4. Webs of engagement David McInnis; Part II. Defining Current Digital Scholarship and Practice: Shakespeare Pedagogy and the Digital Age: Introduction Peter Kirwan; 5. Internal and external Shakespeare: constructing the twenty-first-century classroom Erin Sullivan; 6. Shakespeare at a distance Sarah Grandage and Julie Sanders; 7. 'All great Neptune's ocean': iShakespeare and play in a transatlantic context Sheila T. Cavanagh and Kevin A. Quarmby; 8. 'From the table of my memory': blogging Shakespeare in/out of the classroom Peter Kirwan; Half-time: a pause for reflection; 9. All's Well that Ends Orwell Sharon O'Dair; Part III. Redefining the Boundaries and Practices of Shakespeare Studies Online: Publishing and Academic Identity: Introduction Peter Kirwan; 10. Unlocking scholarship in Shakespeare studies: gatekeeping, guardianship, and open-access journal publication Eleanor Collins; 11. Living with digital incunables, or: a 'good-enough' Shakespeare text Katherine Rowe; 12. Shakespeare in virtual communities Peter Holland; 13. Gamekeeper or poacher? Personal blogging/public sharing Sylvia Morris; Part IV. Redefining the Boundaries and Practices of Shakespeare Studies Online: Communication and Performance: Introduction Christie Carson; 14. Changing a culture with the Shakespeare Birthplace Trust: championing freedom and democracy Paul Edmondson and A. J. Leon; 15. Developing a digital strategy: engaging audiences at Shakespeare's Globe Ryan Nelson; 16. The impact of new forms of public performance Stephen Purcell; 17. Creating a critical model for the twenty-first century Christie Carson; Conclusion: digital dreaming Christie Carson and Peter Kirwan.
About the author
Christie Carson is Reader in Shakespeare and Performance in the Department of English at Royal Holloway, University of London. She is the co-editor of The Cambridge King Lear CD-ROM: Text and Performance Archive (Cambridge University Press, 2000), Shakespeare's Globe: A Theatrical Experiment (with Farah Karim-Cooper, Cambridge University Press, 2008), Shakespeare in Stages: New Theatre Histories (with Christine Dymkowski, Cambridge University Press, 2010) and Shakespeare Beyond English: A Global Experiment (with Susan Bennett, Cambridge University Press, 2013).Peter Kirwan is Lecturer in Shakespeare and Early Modern Drama at the University of Nottingham. He was an Associate Editor for Collaborative Plays by Shakespeare and Others (2013) and he has published widely on the history of the Shakespeare Apocrypha and contemporary Shakespearean performance. His interest is in the intersection between textual, performance and media cultures.
Summary
This collection critically assesses the opportunities and pitfalls presented by recent digital advances in Shakespeare studies. Featuring contributions from archivists, scholars, teachers, publishers, arts practitioners and digital innovators, this collection is relevant to those interested in the digital humanities as well as to Shakespeare scholars and enthusiasts.
