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Informationen zum Autor Catherine Gimelli Martin is Professor of English Literature at the University of Memphis. Klappentext A collection of essays on all aspects of gender in Milton's works. Zusammenfassung Milton's contempt for women has been accepted as fact by many critics. This book re-evaluates this claim by analysing his major poems! his four divorce tracts! and the responses of female readers. Together! these essays provide a fresh perspective on all aspects of gender in Milton's work. Inhaltsverzeichnis Introduction: Milton's gendered subjects Catherine Gimelli Martin; Part I. Masculinity, Divorce, and Misogyny in Milton's Prose: 1. The gender of civic virtue: masculinity and Milton's consenting subject Gina Hausknecht; 2. The aesthetics of divorce: 'masculinism' and poetic authority in Tetrachordon and Paradise Lost James Grantham Turner; 3. Dalila, misogyny and Milton's Christian liberty of divorce Catherine Gimelli Martin; Part II. The Gendered Subjects of Milton's Major Poems: 4. The profession of virginity in A Masque Presented at Ludlow Castle William Shullenberger; 5. The genders of God and the redemption of the flesh in Paradise Lost Marshall Grossman; 6. Transported touch: the fruit of marriage in Paradise Lost John Rogers; 7. The experience of defeat: Milton and some female contemporaries Elizabeth Sauer; 8. Samson and surrogacy Amy Boesky; 9. 'I was his nursling once': nation, lactation, and the 'Hebraic' in Samson Agonistes Rachel Trubowitz; 10. The 'Jewish Question' and the 'Woman Question' in Samson Agonistes Achsah Guibbory; Part III. Gendered Subjectivity in Milton's Literary History: 11. George Eliot as a 'Miltonist': Milton, marriage and Middlemarch Dayton Haskin; 12. Saying it with flowers: Jane Giraud's ecofeminist Paradise Lost Wendy Furman-Adams and Virginia Tufte; 13. Woolf's allusion to Comus in The Voyage Out Lisa Low.
