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Informationen zum Autor Grant H. Kester is Professor of Art History and Chair of Visual Arts at the University of California, San Diego. He is the author of Conversation Pieces: Community and Communication in Modern Art and the editor of Art, Activism, and Oppositionality: Essays from Afterimage, also published by Duke University Press. Klappentext Examines questions of agency, artisanship, and identity in relation to collaborative art practice. Zusammenfassung Provides an overview of the broader continuum of collaborative and collective art practices Inhaltsverzeichnis Acknowledgments ix Introduction 1 1. The Semantics of Collaboration 2. Art Practice and the Intellectual Baroque Chapter 1: Autonomy, Antagonism, and the Aesthetic 19 1. From Text to Action 2. Park Fiction, Ala Plastica, and Dialogue 3. Relational Antagonism 4. The Risk of Diversity 5. Programmatic Multiplicity 6. Art Theory and the Post-structuralist Canon Chapter Two: The Genius of the Place 67 1. Lessons in Futility 2. Enclosure Acts 3. The Twelfth Seat and the Mirrored Ceiling 4. The Atelier as Workshop 5. Labor, Praxis, and Representation 6. The Divided and Incomplete Subject of Yesterday 7. Memories of Development 8. The Limits of Ethical Capitalism 9. The Art of the Locality Chapter Three: Eminent Domain: Art and Urban Space 155 1. Blindness and Insight 2. The Invention of the Public 3. The Boulevards of the Inner City 4. Park Fiction: Desire, Resistance, and Complicity 5. A Culture of Needles: Project Row Houses in Houston Notes 229 References 281 Index 295
