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How is suicide portrayed in the cinema and what does it mean for suicide prevention? The first-ever comprehensive study of film suicide analyzes more than 1,500 film suicides.The portrayal of suicide in cinema can impact public understanding and effective prevention of suicide. This book presents the first-ever comprehensive analysis of how suicide has been portrayed in films over 110 years, based on a thorough evaluation of more than 1,500 film suicides - 1,377 in American films, 135 in British films.One striking finding is that while the research literature generally attributes suicide to individual psychiatric or mental health issues, cinema and film solidly endorse more social causes.In a compelling blend of social science and humanities approaches, the authors use quantitative methods, as well as the voices of scriptwriters, directors, actors, and actresses, dozens of illustrative frame-grabs, and numerous case examples to answer core questions such as: Are we guilty of over-neglecting social factors in suicide prevention and research? Do cinematic portrayals distort or accurately reflect the nature of suicide in the real world? Has film presentation of suicide changed over 110 years? What are the literary roots of cinema portrayals?This unique book makes fascinating reading for all concerned with suicide prevention, as well as areas such as sociology, film and media studies, and mass communication.
List of contents
Acknowledgments, PrefacePart I: IntroductionChapter 1: The Neglect of Social Patterns in SuicideChapter 2: Finding and Categorizing the Suicide MoviesPart II: Individual Causes of Suicide in the CinemaChapter 3: Traditional Psychiatric Motives for Suicide in FilmChapter 4: The Psychopath and Suicide: A Nontraditional Psychiatric FactorChapter 5: Physicality: Pain, Physical Illness, & Disability in Film SuicidesPart III: The Social Causes of Suicide in the CinemaChapter 6: Death of a Significant OtherChapter 7: Strain in Social Relationships: Relationship BreakdownChapter 8: Economic Strain and Suicide in the CinemaChapter 9: Altruistic SuicidePart IV: Cross-National Analysis and Conclusion.Chapter 10: Globalization and the Causes of Suicide: Comparing British to American FilmsChapter 11: ConclusionsReferencesSubject IndexFilm Index
About the author
Steven Stack, PhD, is Professor in the Departments of Psychiatry and Criminology at Wayne State University in Detroit, Michigan. He is the author of over 270 articles and book chapters, most dealing with the social and economic risk and protective factors for suicide. He received the Louis Dublin Award for lifetime contributions to suicide research from the American Association of Suicidology in 2003. His work has been supported by grants from the National Institute of Mental Health and the Guggenheim Foundation. Barbara Bowman, BA, MA, JD, is a prominent lawyer in Detroit, Michigan. She did her undergraduate and graduate work in the humanities and library science and has previously authored chapters and articles on the presentation of suicide in literature and film.
Summary
How is suicide portrayed in the cinema and what does it mean for suicide prevention? The first-ever comprehensive study of film suicide analyzes more than 1,500 film suicides.
The portrayal of suicide in cinema can impact public understanding and effective prevention of suicide. This book presents the first-ever comprehensive analysis of how suicide has been portrayed in films over 110 years, based on a thorough evaluation of more than 1,500 film suicides – 1,377 in American films, 135 in British films.
One striking finding is that while the research literature generally attributes suicide to individual psychiatric or mental health issues, cinema and film solidly endorse more social causes.
In a compelling blend of social science and humanities approaches, the authors use quantitative methods, as well as the voices of scriptwriters, directors, actors, and actresses, dozens of illustrative frame-grabs, and numerous case examples to answer core questions such as: Are we guilty of over-neglecting social factors in suicide prevention and research? Do cinematic portrayals distort or accurately reflect the nature of suicide in the real world? Has film presentation of suicide changed over 110 years? What are the literary roots of cinema portrayals?
This unique book makes fascinating reading for all concerned with suicide prevention, as well as areas such as sociology, film and media studies, and mass communication.
