Read more
Gwen John has long been regarded as one of the foremost female painters of the twentieth century. She was just one of a group of outstandingly talented women at the Slade School of Art, a group which also included Edna Clarke Hall, Ida Nettleship and Gwen Smith. This biography tells the story of these four women's lives, from their shared student days at the Slade through the subsequent development of their careers. It has often been assumed that marriage and immersion in domestic responsibilities terminated the promising careers of these women. But Thomas shows that, despite these complications, they continued in serious artistic endeavor throughout their lives, producing work of a highly original and individual character. In striving to reconcile the demands of family and domestic ties with their desire to continue painting, the Slade women struggled with a dilemma which continues to face many women in the late twentieth century.
Well illustrated and engagingly written,
Portraits of Women reconstructs a neglected chapter in the development of twentieth-century art.
List of contents
List of Illustrations. Introduction.
1. Students (1893-1898).
2. Broken Promises (1898-1905).
3. Duty and Devotion (1905-1914).
4. Whistling in the Dark (1914-1932).
5. Growing Old (1932-1979).
Epilogue.
Notes.
Select Bibliography.
Index.
About the author
Alison Thomas is a Lecturer at the Cambridge Center for Sixth Form Studies.
Summary
aeo The first major group study of the lives and work of Edna Clarke Hall, Gwen John, Ida Nettleship and Gwen Smith. aeo Based upon material drawn from a wide range of previously unpublished journals, diaries and well illustrated often presenting previously unseen photos and works.
