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Informationen zum Autor Michelle Phillipov is a lecturer in journalism, media, and communications at the University of Tasmania. Klappentext Death metal is one of popular music's most extreme variants, and is typically viewed as almost monolithically nihilistic, misogynistic, and reactionary. Michelle Phillipov's Death Metal and Music Criticism: Analysis at the Limits offers an account of listening pleasure on its own terms. Through an analysis of death metal's sonic and lyrical extremity, Phillipov shows how violence and aggression can be configured as sites for pleasure and play in death metal music, with little relation to the "real" lives of listeners. In some cases, gruesome lyrical themes and fractured song forms invite listeners to imagine new experiences of the body and of the self. In others, the speed and complexity of the music foster a "technical" or distanced appreciation akin to the viewing experiences of graphic horror film fans. These aspects of death metal listening are often neglected by scholarly accounts concerned with evaluating music as either 'progressive' or "reactionary." By contextualizing the discussion of death metal via substantial overviews of popular music studies as a field, Phillipov's Death Metal and Music Criticism highlights how the premium placed on political engagement in popular music studies not only circumscribes our understanding of the complexity and specificity of death metal, but of other musical styles as well. Exploring death metal at the limits of conventional music criticism helps not only to develop a more nuanced account of death metal listening-it also offers some important starting points for rethinking popular music scholarship as a whole. Zusammenfassung In this book! Author Michelle Phillipov Combines original analyses of death metal with accessible overviews of popular music studies as a field. By doing so! Phillipov demonstrates how the premium placed on political engagement in popular music studies serves to circumscribe our understanding of the complexity and specificity of death metal. Inhaltsverzeichnis Introduction. A "Nihilistic Dreamboat to Negation?"Part 1. The Limits of Music CriticismChapter 1. The Rise of Political CriticismChapter 2. The Politics of Popular Music Studies: The Case of PunkChapter 3. The Search for the "New Punk": Hip Hop and Electronic Dance MusicChapter 4. A "Promise Unfulfilled": The Problem of MetalPart 2. The Pleasures of Death MetalChapter 5. Death Metal and the Reorientation of ListeningChapter 6. The Pleasures of HorrorChapter 7. "Becoming Death": Pleasure and Play in Death MetalChapter 8. "Bodies Prepared for Slaughter": Death Metal's "Technical" AppreciationConclusion. Death Metal at the Limits...
