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Klappentext Essays on eighteenth- and nineteenth-century ways of looking at landscape, in theory and practice. Zusammenfassung The picturesque (a set of theories! ideas! and conventions that grew up around the question of how we look at landscape) offers a valuable focus for investigations into eighteenth- and nineteenth-century literary! artistic! social! and cultural history. These essays incorporate a range of historically and theoretically challenging approaches to the topic. Inhaltsverzeichnis List of illustrations; List of tables; Notes on contributors; Introduction Stephen Copley and Peter Garside; 1. Picturesque landscaping and estate management: Uvedale Price and Nathaniel Kent at Foxley Stephen Daniels and Charles Watkins; 2. William Gilpin and the black lead mine Stephen Copley; 3. The ruined abbey: Picturesque and Gothic values Michael Charlesworth; 4. The Picturesque and ready-to-wear femininity Ann Bermingham; 5. 'The coquetry of nature': politics and the picturesque in women's fiction Vivien Jones; 6. Picturesque figure and landscape: Meg Merrilies and the gypsies Peter Garside; 7. Romantic explorers and picturesque travellers John Whale; 8. The legacy of the Picturesque: landscape, property and the ruin Raimonda Modiano; 9. The Picturesque and the sublime: two worldscapes David Punter; 10. Agrarians against the Picturesque: ultra-radicalism and the revolutionary politics of land David Worrall; 11. The Chartist Picturesque Anne Janowitz; 12. The metropolitan Picturesque Malcolm Andrews; Index.