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Informationen zum Autor Ariel Beaujot is a Visiting Scholar and Post-Doctoral Fellow with the Department of History at the University of Vermont. She has also published the following articles relating to this study of Victorian fashion accessories: The Beauty of Her Hands: The Glove and the Making of the Middle-Class Body, and Coiffing Vanity: A Study of the Manufacture, Design, and Meaning of the Celluloid Hairbrush in America, 1900-1930. Vorwort An accessible and lively study of Victorian fashion accessories as tools of flirtation and indicators of class, political ideology, chastity and respectability. Zusammenfassung An accessible and lively study of Victorian fashion accessories as tools of flirtation and indicators of class, political ideology, chastity and respectability. Inhaltsverzeichnis Introduction 1. The Glove and the Making of Middle-Class Womanhood2. The Language of the Fan: Pushing the Boundaries of Middle-Class Womanhood3. Underneath the Parasol: Umbrellas as Symbols of Imperialism, Race, Youth and Flirtation4. The Celluloid Vanity Set and the Search for AuthenticityConclusion Notes Bibliography Index
List of contents
Introduction1. The Glove and the Making of Middle-Class Womanhood
2. The Language of the Fan: Pushing the Boundaries of Middle-Class Womanhood
3. Underneath the Parasol: Umbrellas as Symbols of Imperialism, Race, Youth and Flirtation
4. The Celluloid Vanity Set and the Search for Authenticity
Conclusion
NotesBibliographyIndex
About the author
Ariel Beaujot is a Visiting Scholar and Post-Doctoral Fellow with the Department of History at the University of Vermont. She has also published the following articles relating to this study of Victorian fashion accessories: The Beauty of Her Hands: The Glove and the Making of the Middle-Class Body, and Coiffing Vanity: A Study of the Manufacture, Design, and Meaning of the Celluloid Hairbrush in America, 1900-1930.
