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Zusatztext David Thomson is arguably the doyen of "film list" authors and Dixon shares both his rare ability to justify a choice with a single cinematic trump card and his lucid prose style - her description of Dziga Vertov's radical montage as "visual Esperanto" is inspired. She captures some of silent cinema's most sublime moments - Charlie Chaplin mournfully eating his shoelaces in The Gold Rush (1925) or the woodland chase in People on Sunday (1930) - with an infectious joy. Informationen zum Autor BRYONY DIXON is a curator at the BFI National Archive responsible for the collections of silent film. She has researched and written on many aspects of early and silent film and co-directs the annual British Silent Film Festival as well as programming for a variety of film festivals and events worldwide. Klappentext 100 Silent Films provides an authoritative and accessible history of silent cinema through one hundred of its most interesting and significant films. As Bryony Dixon contends, silent cinema is not a genre; it is the first 35 years of film history, a complex negotiation between art and commerce and a union of creativity and technology. At its most grand - on the big screen with a full orchestral accompaniment - it is magnificent, permitting a depth of emotional engagement rarely found in other fields of cinema. Silent film was hugely popular in its day, and its success enabled the development of large-scale film production in the United States and Europe. It was the start of our fascination with the moving image as a disseminator of information and as mass entertainment with its consequent celebrity culture. The digital revolution in the last few years and the restoration and reissue of archival treasures have contributed to a huge resurgence of interest in silent cinema. Bryony Dixon's illuminating guide introduces a wide range of films of the silent period (1895-1930), including classics such as The Birth of a Nation (1915), The General (1926), Metropolis (1927), Sunrise (1927) and Pandora's Box (1928), alongside more unexpected choices, and represents major genres and directors of the period - Griffith, Keaton, Chaplin, Murnau, Sjöström, Dovzhenko and Eisenstein - together with an introductory overview and useful filmographic and bibliographic information. Zusammenfassung ?100 Silent Films provides an authoritative and accessible history of silent cinema through one hundred of its most interesting and significant films. Inhaltsverzeichnis Acknowledgements.- Introduction.- The Adventures of Dollie, D. W. Griffith, 1908.- Alfred Butterworth & Sons, Leaving the Works, Glebe Mills, Hollinford, 1901, Mitchell and Kenyon, 1901.- Alice in Wonderland, Percy Snow, 1903.- Ballet Mécanique, 1924.- The Battle of the Somme, 1916.- The Battles of the Coronel and Falkland Islands, Walter Summers, 1928.- The Battleship Potemkin.- Bronenosets Potyomkin, Sergei M. Eisenstein, 1925.- Beggars of Life, William Wellman, 1928.- Berlin, Symphony of a City, Walter Ruttmann, 1927.- The Big Swallow, James Williamson, 1901.- The Birth of a Flower, F. Percy Smith, 1910.- The Birth of a Nation, D. W. Griffith, 1915.- Blackmail, Alfred Hitchcock, 1929.- Body and Soul, Oscar Micheaux, 1925.- The Cabinet of Dr Caligari.- Das Cabinet des Dr. Caligari, Robert Wiene, 1919.- Cabiria, Giovanne Pastrone, 1914.- The Cameraman's Revenge.- Mest' kinematografi?eskogo operatora, Ladislas Starewicz, 1912.- Casanova, Alexandre Volkoff, 1928.- The Cheat, Cecil B. DeMille, 1916.- Un chien andalou, Luis Buñuel, 1928.- A Cottage on Dartmoor, Anthony Asquith, 1929.- Daybreak.- Tianming, Sun Yu, 1933.- The Derby, Topical Film Company, 1913.- Les Deux Timides, Réne Clair, 1928.- Douro, faina fluvial.- Labour on the Douro River, Manoel de Oliveira, 1931.- Drifters, John Grierson, 1929.- Earth/Zemlya, Alexander Dovzhenko, 1930.- En Dirigeable sur les Champs de Bataille, Lucien Le Sainte, 1918.- The Fall of the Ho...
