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Informationen zum Autor Richard J. Hand is Reader in Theatre and Media at the University of Glamorgan in Wales Klappentext This groundbreaking book is the first full-length study of British horror radio from the pioneering days of recording and broadcasting right through to the digital audio cultures of our own time. The book offers an historical, critical and theoretical exploration of horror radio and audio performance examining key areas such as writing, narrative, performance practice and reception throughout the history of that most unjustly neglected of popular art forms: radio drama and 'spoken word' auditory cultures. The volume draws on extensive archival research as well as insightful interviews with significant writers, producers and actors. The book offers detailed analysis of major radio series such as Appointment with Fear, The Man in Black, The Price of Fear and Fear on Four as well as one-off horror plays, comedy-horror and experimental uses of binaural and digital technology in producing uncanny audio. Zusammenfassung The first full-length study of British horror radio -- . Inhaltsverzeichnis Introduction: Listening in terror1. Are you sitting (un)comfortably? Sound, horror and radio2. The quintessence of British horror radio: Appointment with Fear3. 'This is your story-teller, the man in black': Hosting horror4. Horror radio in the 1950s5. The 1960s and 1970s: Parodies and price6. The man in black returns: Fear on four7. Terror tales for the twenty-first century: The man in black8. Adaption and twenty-first century horror radio9. Multifarious terrors: Horror audio in the digital ageConclusion: Closing thoughtsIndex
