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An authoritative survey of music and its context in the Renaissance.
List of contents
Renaissance Humanism and Music - Gary Tomlinson
The Concept of the Renaissance - James Haar
The Concept of the Baroque - Tim Carter
Italy [i], 1520-1560 - Giulio Ongaro
Music in Italy [ii], 1560-1600 - T Noel O'Regan
Ital [iii], 1600-1640 - Tim Carter
Music for the Mass - Allan Atlas
The Motet, 1520-1640 - Anthony Cummings
Music in France [i], 1520-1560 - Richard Freedman
France [ii], 1560-1600 - Jeanice Brooks
French Music in the Early Seventeenth Century - David Tunley
Chanson, 1520-1640 - Kate Van Orden
Madrigal - James Haar
The Netherlands [i], 1520-1560 - Kristine Forney
The Netherlands [ii], 1560-1600 - Kristine Forney
The Netherlands [iii], 1600-1640 - Kristine Forney
Music, Print and Society in Sixteenth-Century Europe - Iain Fenlon
Concepts and Developments in Music Theory - Karol Berger
German Music [i], 1520-1560 - Peter Bergquist
German Music [ii], 1560-1600 - Peter Bergquist
Germany and Central Europe, 1600-1640 - David Crook
The Reformation and Music - Robin Leaver
Renewal, Reform, and Reaction in Catholic Music - Craig Monson
Spain [i-ii], 1530-1600 - Todd Borgerding and Louise K Stein
Spain [iii], 1600-1640 - Louise K Stein
Early Opera: the Initial Stage - Iain Fenlon
Music in England before 1560 - Roger Bray
Music in England [ii], 1560-1600 - Roger Bray
English Music, 1603-1642 - Jonathan Wainwright
Instrumental Music in Europe, 1520-1640 - Victor Coelho and Keith Polk
About the author
James Haar
Summary
An authoritative survey of music and its context in the Renaissance.
