Fr. 170.40

View From the Bottom - Asian American Masculinity and Sexual Representation

English · Hardback

Shipping usually within 3 to 5 weeks (title will be specially ordered)

Description

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A View from the Bottom offers a major critical reassessment of male effeminacy and its racialization in visual culture. Examining portrayals of Asian and Asian American men in Hollywood cinema, European art film, gay pornography, and experimental documentary, Nguyen Tan Hoang explores the cultural meanings that accrue to sexual positions. He shows how cultural fantasies around the position of the sexual "bottom" overdetermine and refract the meanings of race, gender, sexuality, and nationality in American culture in ways that both enable and constrain Asian masculinity. Challenging the association of bottoming with passivity and abjection, Nguyen suggests ways of thinking about the bottom position that afford agency and pleasure. A more capacious conception of bottomhood-as a sexual position, a social alliance, an affective bond, and an aesthetic form-has the potential to destabilize sexual, gender, and racial norms, suggesting an ethical mode of relation organized not around dominance and mastery but around the risk of vulnerability and shame. Thus reconceived, bottomhood as a critical category creates new possibilities for arousal, receptiveness, and recognition, and offers a new framework for analyzing sexual representations in cinema as well as understanding their relation to oppositional political projects.


List of contents










Preface ix
Acknowledgments xi
Introduction 1
1. The Rise, and Fall, of a Gay Asian American Porn Star 29
2. Relfections on an Asian Bottom 71
3. The Lover's "Gorgeous Ass" 111
4. The Politics of Starch 151
Conclusion 193
Notes 207
Bibliography 253
Videography 271
Index 275

About the author










Nguyen Tan Hoang is Assistant Professor of English and Film Studies at Bryn Mawr College. He is also a videomaker whose works include K.I.P, Forever Bottom!, PIRATED! and look_im_azn.  His videos have been screened at the Museum of Modern Art, The Getty Center, and the Centre Pompidou.
 


Summary

Rather than using displays of masculinity to counter portrayals of Asian American men as passive and effeminate, Nguyen Tan Hoang develops a concept of bottomhood that opens up political alliances based on risk, vulnerability, and receptiveness.

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