Read more
Jean-Michel Basquiat completed more than 1,500 works before his death at the age of twenty-seven. His unique compositions variety quickly made him one of the most important and widely known artists of the 1980s. Reading Basquiat provides a new approach to understanding the range and impact of Basquiat's practice, as well as its complex relationship to several key artistic and ideological debates of the late twentieth century, including the instability of identity, the role of appropriation, and the boundaries of expressionism. Jordana Moore Saggese argues that Basquiat, once known as "the Black Picasso," probes not only the boundaries of blackness but also the boundaries of American art. Weaving together the artist's interests in painting, writing, and music, this groundbreaking book expands the parameters of aesthetic discourse to consider the parallels Basquiat found among these disciplines in his exploration of the production of meaning. Most importantly, Reading Basquiat considers the ways in which Basquiat constructed large parts of his identity - as a black man, as a musician, as a painter, and as a writer - via the manipulation of texts in his own library.
List of contents
Acknowledgments
Introduction: Reading Jean-Michel Basquiat
1. “The Black Picasso”: Jean-Michel Basquiat and Questions of Race
2. Creativity Found and Made
3. The Language of Expressionism
Notes
Bibliography
List of Illustrations
Index
About the author
Jordana Moore Saggese is Associate Professor of American Art at the University of Maryland.
Summary
Before his death at the age of twenty-seven, Jean-Michel Basquiat completed nearly 2,000 works. These unique compositions—collages of text and gestural painting across a variety of media—quickly made Basquiat one of the most important and widely known artists of the 1980s. Reading Basquiat provides a new approach to understanding the range and impact of this artist’s practice, as well as its complex relationship to several key artistic and ideological debates of the late twentieth century, including the instability of identity, the role of appropriation, and the boundaries of expressionism. Jordana Moore Saggese argues that Basquiat, once known as “the black Picasso,” probes not only the boundaries of blackness but also the boundaries of American art. Weaving together the artist’s interests in painting, writing, and music, this groundbreaking book expands the parameters of aesthetic discourse to consider the parallels Basquiat found among these disciplines in his exploration of the production of meaning. Most important, Reading Basquiat traces the ways in which Basquiat constructed large parts of his identity—as a black man, as a musician, as a painter, and as a writer—via the manipulation of texts in his own library.
Additional text
"In four chapters, the author gives the artist’s work the scholarly and historical attention it rightly deserves while contributing to the fields of American art, African American art, contemporary art, and diaspora art."
