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Contents:- Klaus-Peter Müller: Political Plays in England in the 1990s. - Mark Berninger: Variations of a Genre. The British History Play in the Nineties. - Mary Luckhurst: An Embarrassment of Riches. Women Dramatists in the 1990s Britain. - Heiko Stahl: 'There ain't no black in the Union Jack' vs 'England is de place for me'. Black Women Playwrights in Britain in the 1990s. - Christopher Innes: Science on the Stage. - Aleks Sierz: In-Yer-Face Theatre. Mark Ravenhill and 1990s Drama. Graham Saunders: The Apocalyptic Theatre of Sarah Kane. - Michael Raab: 'Post-feminist masculinity and all that shit'. Patrick Marber's Closer in London and Munich.- Raimund Borgmeier: 'Convergences of different threads'. Tom Stoppard's The Invention of Love (1997). Bernhard Reitz: "just wouldn't want to be at the other end of his anger". Harold Pinter's political Plays of the Nienties. - Heiner Zimmermann: Howard Barker in the Nineties.
Summary
Contents:
- Klaus-Peter Müller: Political Plays in England in the 1990s.
- Mark Berninger: Variations of a Genre. The British History Play in the Nineties.
- Mary Luckhurst: An Embarrassment of Riches. Women Dramatists in the 1990s Britain.
- Heiko Stahl: 'There ain't no black in the Union Jack' vs 'England is de place for me'. Black Women Playwrights in Britain in the 1990s.
- Christopher Innes: Science on the Stage.
- Aleks Sierz: In-Yer-Face Theatre. Mark Ravenhill and 1990s Drama. Graham Saunders: The Apocalyptic Theatre of Sarah Kane.
- Michael Raab: 'Post-feminist masculinity and all that shit'. Patrick Marber's Closer in London and Munich.- Raimund Borgmeier: 'Convergences of different threads'. Tom Stoppard's The Invention of Love (1997). Bernhard Reitz: "just wouldn't want to be at the other end of his anger". Harold Pinter's political Plays of the Nienties.
- Heiner Zimmermann: Howard Barker in the Nineties.
