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Zusatztext Overall, it is an excellent introduction to the difficulties faced by the authors of the GDR and their transition to a new reality. After the Stasi is a work that one would recommend to those who have more than a passing understanding of the intricacies of Germany’s reunification and the contemporary literary scene in Germany. Informationen zum Autor Annie Ring is Associate Professor of German and comparative film, literature and cultural theory at UCL, UK. Her research focuses on film, surveillance, technology and the politics of subjectivity. She is author of After the Stasi (2015). She is co-editor of Architecture and Control (2018), Uncertain Archives: Critical Keywords for Big Data (2021) and has contributed to The German Cinema Book (British Film Institute, 2020). Vorwort Draws on previously unexamined Stasi files to explore the responses of modern East German writers to the culture of collaboration in the former socialist state and in its aftermath. Zusammenfassung Why did so many citizens of the GDR agree to collaborate with the Stasi? Reading works of literature since German unification in the light of previously unseen files from the archives of the Stasi, After the Stasi uncovers how writers to the present day have explored collaboration as a challenge to the sovereignty of subjectivity. Annie Ring here interweaves close analysis of literary fiction and life-writing by former Stasi spies and victims with documents from the archive, new readings from literary modernism and cultural theories of the self. In its pursuit of the strange power of the Stasi, the book introduces an archetypal character in the writing of German unification: one who is not sovereign over her or his actions, but instead is compelled by an imperative to collaborate – an imperative that persists in new forms in the post-Cold War age. Ring’s study identifies a monumental historical shift after 1989, from a collaboration that took place in concert with others, in a manner that could be recorded in the archive, to the more isolated and ultimately less accountable complicities of the capitalist present. While considering this shift in the most recent texts by East German writers, Ring provocatively suggests that their accounts of collaboration under the Stasi, and of the less-than-sovereign subjectivity to which it attests, remain urgent for understanding the complicities to which we continue to consent in the present day. Inhaltsverzeichnis List of Illustrations Acknowledgements Notes on the TextIntroduction Collaboration and the Problem of Sovereign Subjectivity Chapter 1 The Psychic Life of Collaboration: Monika Maron’s Stille Zeile Sechs Chapter 2 Mapping the Topography of Surveillance in Wolfgang Hilbig’s “Ich” and Kerstin Hensel’s Tanz Am Kanal Chapter 3 Collaboration as Collapse in the Stasi Files and Life Writing of Monika Maron and Christa Wolf Chapter 4 Prison/Writing: The Subject of the Stasi Archive Chapter 5 Animals and the Limits of Sovereignty in the Writing of Unified Germany Chapter 6 Capitalist Complicity in Wolfgang Hilbig’s Last Prose Works Conclusion After the Stasi: Complicity and Cooperation Bibliography Index...
