The Semiotics of Clowns and Clowning - Rituals of Transgression and the Theory of Laughter

During the last 300 years circus clowns have emerged as powerful cultural icons. This is the first semiotic analysis of the range of make-up and costumes through which the clowns' performing identities have been established and go on developing. It also examines what Bouissac terms 'micronarratives' - narrative meanings that clowns generate through their acts, dialogues and gestures. Putting a repertory of clown performances under the semiotic microscope leads to the conclusion that the performances are all interconnected and come from what might be termed a 'mythical matrix'. These micronarratives replicate in context-sensitive forms a master narrative whose general theme refers to the emergence of cultures and constraints that they place upon instinctual behaviour. From this vantage point, each performance can be considered as a ritual which re-enacts the primitive violence inherent in all cultures and the temporary resolutions which must be negotiated as the outcome. Why do these acts of transgression and re-integration then trigger laughter and wonder? What kind of mirror does this put up to society? In a masterful semiotic analysis, Bouissac delves into decades of research to answer these questions.

About the author

Paul Bouissac is Professor Emeritus at Victoria College, University of Toronto, Canada. He is a world renowned figure in semiotics and a pioneer of circus studies. He runs runs the Semioticon [https://smartsemiotics.com], an Open Semiotics Resource Center, which has a global readership.

Product details

• Authors: Paul Bouissac, Paul (University of Toronto Bouissac, Bouissac Paul
• Assisted by: Paul Bouissac (Editor)
• Publisher: Bloomsbury Academic
• Languages: English
• Product format: Hardback
• Released: 21.05.2015
• EAN: 9781472521736
• ISBN: 978-1-4725-2173-6
• No. of pages: 232
• Series: Bloomsbury Advances in Semiotics; Bloomsbury Advances in Semioti; Bloomsbury Advances in Semiotics
• Subjects: Humanities, art, music > Humanities (general); Circus, LITERARY CRITICISM / Semiotics & Theory, PERFORMING ARTS / Circus, SOCIAL SCIENCE / Anthropology / Cultural & Social, Social & cultural anthropology, ethnography, Social and cultural anthropology, Semiotics / semiology, Circus and circus skills