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Informationen zum Autor Hannah Feldman is Associate Professor of Art History at Northwestern University. Klappentext Hannah Feldman is Associate Professor of Art History at Northwestern University. Zusammenfassung Focusing on the Algerian War of Independence (1954-1962) and the historical continuities it presented with the experience of the Second World War! this book highlights decolonization's formative effects on art and related theories of representation! both political and aesthetic. Inhaltsverzeichnis List of Illustrations ix Acknowledgments xiii Introduction. Notes on Art During War and the Potentialities of Decolonial Representation 1 I. André Malraux and the Image of the Past as the Future of the Present 1. Fragments; or, The Ends of Photography 2. Façades; or, The Space of Silence II. Between Resistance and Refusal: The Language of Arts and Its Publics 3. Sonic Youth, Sonic Space: Isidore Isou and the Lettrist Acoustics of Deterritorialization 4. La France Déchirée: The Politics of Representation and the Spaces In-Between III. Reidentifications: Seeing Citizens Being Seen 5. "The Eye of History": Photojournalism, Protest and the Manifestation of 17 October 1961 6. Looking Past the State of Emergency: A Coda Notes Bibliography Index
