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Informationen zum Autor Bill Banfield serves as professor of Africana Studies / Music and Society, composition, and graduate history studies at the Berklee College of Music. He is director of the Center for Africana Studies. An award-winning composer, former Pulitzer Prize judge, jazz guitarist, recording artist, and public radio show host, he is the author of six books on music, arts, cultural criticism, and history. Klappentext Ethnomusicologizing contains writings on contemporary music and culture studies. In this work, Banfield instructs readers in the ways by which we may better appreciate and understand creative artistry and process, and their relation to history and its meaning.Ethnomusicologizing contains writings on contemporary music and culture studies. In this work, Banfield instructs readers in the ways by which we may better appreciate and understand creative artistry and process, and their relation to history and its meaning. Inhaltsverzeichnis PreludeKeeping the Core Creative Soul-SpiritPart 1: Theory: Music Thinking Theories, Teaching, and ApproachesChapter 1: Ethnomusicologizing: The Way Forward, Cultural RelevancyChapter 2: Ethnomusicology Studies in Music CultureChapter 3: Popular Music Culture: How to Teach and Reach within Popular MusicChapter 4: Black Music MattersChapter 5: Notes From CubaChapter 6: The "I Theory"Part 2: History: Backbones, SongsChapter 7: A Progressive View of American Popular Music History, 1948-2014Chapter 8: American Mavericks InterviewsChapter 9: Harlem Renaissance 1920-1935: Artistry, Aesthetics, Politics and Popular CultureChapter 10: CBMR LetterChapter 11: Mom, Dad, and the Making of Symphony 10 with Sweet Honey In The RockPart 3: Culture: New Standards, Cultural CritiqueChapter 12: Wake up! What Time is It Really? Who Turns it Up, Down, and Back?: Values on The Cultural DialChapter 13: Does Our Music Still Bring The Good News Of The Day?Chapter 14: On The Crisis of Popular Arts and Society: Steps AheadChapter 15: The Problem With JazzChapter 16: Review of George Lewis, Les Exercices SpirituelsChapter 17: Don't Use the "J word": Jazz in its Connections to Culture and MeaningChapter 18: From Hip-Hop To Zombie NationChapter 19: Critical Culture Concerns TodayChapter 20: The Songs We Need To Be Hearing Again: Music Culture and A Musician's Credo To CitizenryPostlude: Afterthought on Ethnomusicologizing...
