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Marilyn Nonken finds precedent in the works of pianist-composers Liszt, Scriabin and Debussy for spectral attitudes towards the musical experience.
List of contents
1. An intimate history; 2. Itinerary; 3. Protospectralists at the piano; 4. The first generation; 5. The spectral effect; 6. Spectral music and its pianistic expression Hugues Dufourt.
About the author
Marilyn Nonken is an international concertizing pianist, Associate Professor of Music and Music Education, and Director of Piano Studies at New York University's Steinhardt School of Culture, Education and Human Development. Her recordings and performances have been internationally reviewed, and her publications include forthcoming chapters in Perspectives on the Performance of French Piano Music and Messiaen Perspectives. A highly regarded musician, she has recorded the complete piano music of Tristan Murail: 'Complete Piano Music', and 'Voix Voilees: Spectral Piano Music', and piano music of Olivier Messiaen, Hugues Dufourt and Joshua Fineberg, and worked closely with Murail, Dufourt, Fineberg and Jonathan Harvey.
