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Informationen zum Autor Claudia Esposito is assistant professor of French at the University of Massachusetts, Boston. Her research interests focus on translation, migration, urban geographies and transcultural crossings in Maghrebi and French literature and film. Her articles on Albert Memmi, Tahar Ben Jelloun and Abdellatif Kechiche have appeared in several journals including Studies in French Cinema, Expressions Maghrébines, Journal of Postcolonial Writing and The French Review. Klappentext The Narrative Mediterranean: Beyond France and the Maghreb examines literary texts by writers from the Maghreb and positions them in direct relation to increasingly querulous debates on the shifting identity of the modern Mediterranean. This book argues that reading works by writers such as Albert Camus and Tahar Ben Jelloun alongside authors such as Fawzi Mellah and Mahi Binebine in a transnational rather than binary interpretive framework transcends a colonial and postcolonial bind in which France is the dominant point of reference. While focusing on works in French, this book also examines Maghrebi authors who write in Italian. The texts examined in The Narrative Mediterranean critique narrow identitarian labeling, warn against sectarianism, and announce the necessity of multiple forms of translation and historical rewritings. Their modes of expression differ as they range from poetic to baroque to realist, as do their concerns, which include -but are not limited to-the human condition, gender identity, and emigration. Claudia Esposito explains how these writers operate between and outside the confines of several nations, tracing imagined affiliative horizons, and consequently address questions of multiple forms of cultural, political, sexual and existential belonging. Esposito convincingly demonstrates that in a Mediterranean context, moving between nations means to be in both foreign and familiar physical, affective and intellectual spaces. The beautifully focused arguments in this book propose the cultural intensities of an open and multiple Mediterranean that shatters the narrow dichotomies that discipline our views and verdicts. We are justly asked to step beyond existing boundaries, hear the dissonance and register the complexities of a world whose fluidity is irreducible to immediate domestication. Just as the familiar is rendered foreign, so the foreign acquires familiarity in the challenge and possibilities of a Mediterranean still in the making. -- Iain Chambers, University of Naples Inhaltsverzeichnis Table of ContentsIntroductionPart I: Humanism and HistoryChapter 1: A Humanism of the Sun Chapter 2: Of Chronological Others and Alternative HistoriesPart II: Deconstructing BinariesChapter 3: On GenderChapter 4: Shifting GeographiesPart III: Crossing the Straits and Moving the Center Chapter 5: (E)migration, Imagination And Dissonance Chapter 6: Addio Farança: Into the 21st CenturyConclusion: Reflections on a FutureBibliographyAbout the Author...
