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Zusatztext This confidently written book serves to bring the career and work of one of Ireland's premier league playwrights slap bang into the twenty-first century. [ . . . ] The amalgamation of conceptual ideas! such as post colonialism and class! with a professional theatre-maker's experience of directing O'Casey's work is engaging! thought-provoking! and illuminating. [ . . . ] In summary! this is a well-researched! clearly written and engaging book . . . [and] something I will be recommending to my students in the years to come. Informationen zum Autor James Moran is Head of Drama in the School of English Studies at the University of Nottingham, UK. His research is primarily concerned with modern anglophone literature, with a particular interest in the theatre of twentieth-century Ireland. One of the main strands of his research explores how revolutionary politics and dramatic literature interact. He is the author of Modernists and the Theatre (Methuen Drama, 2022), The Theatre of D.H. Lawrence (Methuen Drama, 2015) and The Theatre of Sean O'Casey (Methuen Drama, 2013). He has also edited a volume of plays by political radicals such as Thomas MacDonagh and James Connolly ( Four Irish Rebel Plays , 2007). Garry Hynes is the founder and Artistic Director of Druid Theatre Company, Ireland, Paul Murphy is a Reader in Drama at Queen’s University Belfast. Victor Merriman is Professor of Performing Arts at Edge Hill University, UK. A Critical Companion to one of Ireland's most famous, studied and controversial, playwrights, this provides a detailed exploration of O'Casey's oeuvre taking in his plays, autobiographical writing and essays. Special attention is paid to the Three Dublin Plays and the works in performance. A Critical Companion to one of Ireland's most famous, studied and controversial playwrights, this provides a detailed exploration of O'Casey's oeuvre taking in his plays, autobiographical writing and essays. Special attention is paid to the three Dublin plays and the works in performance. Zusammenfassung This Critical Companion to the work of one of Ireland's most famous and controversial playwrights, Sean O'Casey, is the first major study of the playwright's work to consider his oeuvre and the archival material that has appeared during the last decade. Published ahead of the centenary of the 1916 Easter Rising in Ireland with which O'Casey's most famous plays are associated, it provides a clear and detailed study of the work in context and performance.James Moran shows that O’Casey not only remains the most performed playwright at Ireland's national theatre, but that the playwright was also one of the most controversial and divisive literary figures, whose work caused riots and who alienated many of his supporters. Since the start of the 'Troubles' in the North of Ireland, his work has been associated with Irish historical revisionism, and has become the subject of debate about Irish nationalism and revolutionary history. Moran's admirably clear study considers the writer's plays, autobiographical writings and essays, paying special attention to the Dublin trilogy, The Shadow of a Gunman , Juno and the Paycock , and The Plough and the Stars . It considers the work produced in exile, during the war and the late plays. The Companion also features a number of interviews and essays by other leading scholars and practitioners, including Garry Hynes, Victor Merriman and Paul Murphy, which provide further critical perspectives on the work. Inhaltsverzeichnis Introduction Part One: O'Casey's Life, Work, and Legacy Chapter One: Biography, 1880-1964Chapter Two: Dublin, 1880-1926Chapter Three: Rejection, 1926-39 and BeyondChapter Four: Communism, 1936-46Chapter Five: The Church, 1946-64Chapter Six: Critical Responses, 1923-2013 Part Two: New Perspectives Chapter Seven: Directing O...
